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TIME OFF FROM GOOD BEHAVIOR

Midlife crises strike two marriage partners simultaneously, resulting in a more-amusing-than-average romantic comedy by the author of The Dieter (1988). Asher Rose's kids are grown and off on their own; his Chicago- based soup business has been sold for $20 million; and now, after 40 years of supporting a family by selling soup, the long-awaited leisure life can begin—except that wife Sarah has just thrown herself into her first full-time career, designing costumes for movies, and refuses to quit. While Asher chafes at the bit, longing to spend his fortune by visiting all the exotic locales he's dreamed of, Sarah works 18-hour days to clothe gaggles of self- obsessed movie actors, care for her flamboyant but ailing mother, and worry about Asher, whose workaholic character begins to crumble when he finds himself at home with nothing to do. To get Asher away from daytime TV and out of her hair, Sarah, who did her own traveling after high school, insists Asher go off to see the world on his own. Promising to catch up with him as soon as her work permits, she bravely urges Asher to sow his wild oats in the meantime—this will be a separate vacation with no marital strings attached. Dazed but fascinated, Asher obeys, taking his first faltering steps into the jet-set life while Sarah braves midnight shoots, emergency fittings, and the unexpected allure of a younger man. Soon enough, both partners find that their fantasy lives are sorely lacking without each other's company—and, to the delight of all those who have mooched off the Roses for decades past, forget about their long-cherished dreams in their rush to be together again. Generous, madcap—and heartwarming.

Pub Date: Oct. 3, 1991

ISBN: 0-671-68516-3

Page Count: 274

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1991

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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