by Susan Whitcher & illustrated by Andrew Glass ‧ RELEASE DATE: Sept. 20, 1993
Five fresh, witty tales, each firmly grounded in an ordinary, sharply drawn setting in the contemporary US, its fantasy developed with endearing logic exemplified by the title- -in the first story, Rachel is annoyed because Lauren, who ``painted stupid blood'' on her mummy outfit, won the costume contest. Rachel's sarcophagus costume is far cleverer; moreover, it transports her (and her friend) to Egypt for a chilling adventure that leads to the girls' reconciliation. In ``The Paper Bag Genie,'' another trick-or-treater rescues a genie who's been trapped by an unimaginative restauranteur who's only using him to do dishes. ``Annie's Pet Witch'' has a gangster's vocabulary and a comical diet of Brillo pads, a jack-o'-lantern (with candle), eye shadow, etc.; and Kevin, in ``The Mystery of the One-Eyed Dog,'' works out the connection between Miss Dulcie's prized coconut cake and the disappearance of a series of old gentlemen. With a mellower flavor than Judith Gorog's tales and an equally original sense of the bizarre, Whitcher's new voice—precisely tuned to the idiosyncracies of her entertaining stories—is welcome indeed. Illustrations not seen. (Short stories. 7-11)
Pub Date: Sept. 20, 1993
ISBN: 0-374-36213-0
Page Count: 120
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Aug. 15, 1993
Categories: CHILDREN'S GENERAL CHILDREN'S
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by Susan Whitcher & illustrated by Barbara Lehman
by Julia Alvarez ‧ RELEASE DATE: March 1, 2001
Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán.
When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.
Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)Pub Date: March 1, 2001
ISBN: 0-375-80215-0
Page Count: 160
Publisher: Knopf
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Categories: CHILDREN'S GENERAL CHILDREN'S
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by Julia Alvarez ; illustrated by Raúl Colón
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by Julia Alvarez ; illustrated by Sabra Field
BOOK REVIEW
by Lynn Joseph ‧ RELEASE DATE: Aug. 31, 2000
This standout novella lustrously portrays Ana Rosa and the rich simplicity of her family’s daily life in the Dominican Republic. The linked vignettes and elegant prose vitalize the merengue music, colorful houses, as well as the people’s poverty and the tyranny of the government. Each chapter begins with one of Ana Rosa’s lovely rhythmic verses. A poet and writer at age 12, she steals bits of paper to record everything she sees, hears, and imagines. Ana Rosa’s family is very close by necessity, but it is her beloved brother Guario who has the job that supports them. As the novella proceeds, dark shadows begin to slink through the gentle days. We learn that Ana Rosa’s father drinks too much rum and Coke, especially on Sundays, when he becomes a lurching spectacle. Then an official informs the villagers that to build a hotel, the government has sold the land on which their families have lived for generations. The villagers band together, Ana Rosa writes an article, and her brother Guario becomes their passionate leader. But when the day of the standoff arrives, the villager’s words and rocks are nothing against the guardia’s guns and bulldozers. The heartbreaking result is Guario’s death. Without diluting the sorrow, Joseph (Fly, Bessie, Fly, 1998, etc.) illustrates the good arising from the tragedy as the government cancels the hotel project and Ana Rosa begins writing the life of her brother. This is an achingly beautiful story that will awaken profound emotions in the reader. (author’s note) (Fiction. 8-11)
Pub Date: Aug. 31, 2000
ISBN: 0-06-028232-0
Page Count: 144
Publisher: HarperCollins
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Aug. 15, 2000
Categories: CHILDREN'S GENERAL CHILDREN'S
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by Lynn Joseph
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by Lynn Joseph
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by Lynn Joseph & illustrated by Yvonne Buchanan
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