A genuinely involving example of that rarest of birds: first-rate historical fiction about Eisenhower.
A work focuses on Dwight D. Eisenhower, his wartime mistress, and his wife.
This historical novel from bestselling author Albert (Death in Hyde Park, 2016, etc.), who penned the very affecting Loving Eleanor (2016) and the long-running murder mystery series starring China Bayles, centers on a subject that might at first seem unpromising ground for drama: the love life of Gen. Eisenhower. During the war, lovely and vivacious former fashion model Kate Summersby draws chauffeur duty for Eisenhower in London. The burden of commanding the war effort weighs heavily on the general’s shoulders, and he’s a long way from his loving and dutiful wife, Mamie, back in Washington, D.C. In Albert’s careful, nuanced pacing, Eisenhower and Summersby begin developing feelings for each other despite the fact that he is still corresponding faithfully with Mamie and Summersby is engaged to an American colonel. “I’ve never been in love with anyone else,” Eisenhower writes in one letter to Mamie, after his own feelings have become so compromised that he believes he should add such an uncharacteristic emphasis. After Summersby’s fiance is killed, her relationship with the general quickly escalates into stolen kisses (“For a brief hour, they were just two people in love in the midst of war, holding on to each other as the world threatened to pull them apart”) and a passionate affair. Suddenly Albert has somehow fashioned a mature, gripping emotional drama out of a set of characters most readers associate with bland postwar suburbia. Most of the dense, engrossing narrative splits between Eisenhower’s wartime theater—minor characters like Gen. George Patton are deftly realized—and Mamie’s domestic world back home. Albert is so skillful at creating historical atmosphere and realistic period dialogue that the homefront scenes are every bit as compelling as the ones taking place in the ruins of Europe. The arc of the multifaceted novel follows the three main characters and a host of secondary ones right through the war and back into civilian life, and at every point Albert smoothly incorporates an obviously vast amount of research into a tale of raw emotional conflict that can make for some wonderfully uncomfortable reading. Perhaps ironically, both Eisenhowers remain stubbornly less intriguing than Summersby herself, but the difference remains marginal.
A genuinely involving example of that rarest of birds: first-rate historical fiction about Eisenhower.Pub Date: March 7, 2017
ISBN: 978-0-9892035-8-6
Page Count: 412
Publisher: Persevero Press
Review Posted Online: Feb. 21, 2017
Kirkus Reviews Issue: March 15, 2017
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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