This warm, extensively researched novel will entrance readers and inspire them to look further into the lives of two...
New York Times bestselling author Albert (The Darling Dahlias and the Silver Dollar Bush, 2015, etc.) returns to historical fiction in this intimate exploration of the relationship between Eleanor Roosevelt and journalist Lorena Hickok.
Shortly after Eleanor’s death, Lorena (known as “Hick” to her friends) decides to write a memoir of their time together. She agrees to publish it on the condition that it and accompanying personal correspondence will remain sealed until after Hick dies. “I met Mrs. Roosevelt in 1928, the year that Herbert Hoover beat the pants off Al Smith,” she begins, and her narrative voice remains lively as she reminisces about the former first lady and her own remarkable life as one of the first female news reporters in the United States. Hick first zeroes in on Eleanor during the New York gubernatorial race because she’s “doing something political wives just didn’t do. She was campaigning for the ticket.” Eleanor is an intriguing anomaly: a tireless woman who splits her time between campaigning, teaching, writing, and mothering. The two women connect during their first interview, and when Franklin begins his first presidential run, Hick covers Eleanor full-time. The two women become close, and their relationship soon turns romantic. They exchange countless letters of longing and dream of a quieter life in which they can be simply ordinary. But many obstacles stand in their way, not least of which is Eleanor’s transformation into a public personage. Over time, their romance evolves into a deep, lifelong friendship. Albert captures Hick’s spirit with energetic prose, painting a colorful picture of her fascinating life together with and apart from Eleanor. Although this memoir is fictional, the author draws upon thousands of personal letters, first-person accounts by others, and further research to present a compelling possible narrative of the relationship between Eleanor and Hick. Albert’s illuminating afterword adds important context to her narrative choices, and a comprehensive bibliography will encourage additional research.
This warm, extensively researched novel will entrance readers and inspire them to look further into the lives of two extraordinary women.Pub Date: Feb. 1, 2016
ISBN: 978-0-9892035-3-1
Page Count: -
Publisher: Persevero Press
Review Posted Online: Dec. 1, 2015
Kirkus Reviews Issue: Jan. 1, 2016
Review Program: Kirkus Indie
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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