This warm, extensively researched novel will entrance readers and inspire them to look further into the lives of two...

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Loving Eleanor

New York Times bestselling author Albert (The Darling Dahlias and the Silver Dollar Bush, 2015, etc.) returns to historical fiction in this intimate exploration of the relationship between Eleanor Roosevelt and journalist Lorena Hickok.

Shortly after Eleanor’s death, Lorena (known as “Hick” to her friends) decides to write a memoir of their time together. She agrees to publish it on the condition that it and accompanying personal correspondence will remain sealed until after Hick dies. “I met Mrs. Roosevelt in 1928, the year that Herbert Hoover beat the pants off Al Smith,” she begins, and her narrative voice remains lively as she reminisces about the former first lady and her own remarkable life as one of the first female news reporters in the United States. Hick first zeroes in on Eleanor during the New York gubernatorial race because she’s “doing something political wives just didn’t do. She was campaigning for the ticket.” Eleanor is an intriguing anomaly: a tireless woman who splits her time between campaigning, teaching, writing, and mothering. The two women connect during their first interview, and when Franklin begins his first presidential run, Hick covers Eleanor full-time. The two women become close, and their relationship soon turns romantic. They exchange countless letters of longing and dream of a quieter life in which they can be simply ordinary. But many obstacles stand in their way, not least of which is Eleanor’s transformation into a public personage. Over time, their romance evolves into a deep, lifelong friendship. Albert captures Hick’s spirit with energetic prose, painting a colorful picture of her fascinating life together with and apart from Eleanor. Although this memoir is fictional, the author draws upon thousands of personal letters, first-person accounts by others, and further research to present a compelling possible narrative of the relationship between Eleanor and Hick. Albert’s illuminating afterword adds important context to her narrative choices, and a comprehensive bibliography will encourage additional research.

This warm, extensively researched novel will entrance readers and inspire them to look further into the lives of two extraordinary women.

Pub Date: Feb. 1, 2016

ISBN: 978-0-9892035-3-1

Page Count: -

Publisher: Persevero Press

Review Posted Online: Dec. 1, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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