Weird and haunting and excellent.
The much-anticipated second novel from the author of Jonathan Strange and Mr. Norrell (2004).
The narrator of this novel answers to the name “Piranesi” even though he suspects that it's not his name. This name was chosen for him by the Other, the only living person Piranesi has encountered during his extensive explorations of the House. Readers who recognize Piranesi as the name of an Italian artist known for his etchings of Roman ruins and imaginary prisons might recognize this as a cruel joke that the Other enjoys at the expense of the novel’s protagonist. It is that, but the name is also a helpful clue for readers trying to situate themselves in the world Clarke has created. The character known as Piranesi lives within a Classical structure of endless, inescapable halls occasionally inundated by the sea. These halls are inhabited by statues that seem to be allegories—a woman carrying a beehive; a dog-fox teaching two squirrels and two satyrs; two children laughing, one of them carrying a flute—but the meaning of these images is opaque. Piranesi is happy to let the statues simply be. With her second novel, Clarke invokes tropes that have fueled a century of surrealist and fantasy fiction as well as movies, television series, and even video games. At the foundation of this story is an idea at least as old as Chaucer: Our world was once filled with magic, but the magic has drained away. Clarke imagines where all that magic goes when it leaves our world and what it would be like to be trapped in that place. Piranesi is a naif, and there’s much that readers understand before he does. But readers who accompany him as he learns to understand himself will see magic returning to our world.
Weird and haunting and excellent.Pub Date: Sept. 15, 2020
ISBN: 978-1-63557-563-7
Page Count: 272
Publisher: Bloomsbury
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
SEEN & HEARD
BOOK TO SCREEN
Devoted series fans will appreciate the added pieces to this expansive narrative puzzle.
After 500 years, the Grief of Ages is a distant memory—until dragons hellbent on destruction begin to wake again.
In this relatively brief prequel to the epic The Priory of the Orange Tree (2019), the kingdoms of Virtudom have experienced centuries of relative peace. Marosa Vetalda, the Princess of Yscalin, spends her days behind castle walls under the gaze of her overprotective father, awaiting the date when she’ll be wed to Aubrecht of Mentendon, her ticket to freedom. While the book’s main focus is initially on the political threads weaving the Western kingdoms together, the frailty of best-laid plans is exposed when evidence of the reemergence of draconic beings reaches castle ears. These tales often come from the cullers who make their living slaying these creatures, and who are often blamed for intentionally waking them for profit. No one alive remembers the Grief of Ages, so no one’s prepared when Fýredel, the great High Western dragon, surfaces from the volcanic mountain that towers ominously over Yscalin’s capital city of Cárscaro. What follows is the backstory of how the devoted Yscali kingdom comes to shift allegiance to Fýredel and his master, the Nameless One, a main catalyst to events in The Priory. Overall, this book reads more like history lesson than fantasy adventure, but the sheer terror that befalls the Yscali people as they face Fýredel’s pure evil is both powerful and relevant. Marosa’s plight further solidifies her as a hero worth remembering; her strength and defiance shine through as hope for the future she’s dreamed of slowly flickers out.
Devoted series fans will appreciate the added pieces to this expansive narrative puzzle.Pub Date: Sept. 16, 2025
ISBN: 9781639736010
Page Count: 288
Publisher: Bloomsbury
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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