A captivating portrait of a woman in search of herself.



A novelist’s engaging coming-of-age memoir.

In her novel Sleeping Beauties (1993), Moore (Creative Writing/Princeton Univ.; Paradise of the Pacific: Approaching Hawaii, 2015, etc.) spun a dark fairy tale complete with a wicked stepmother and handsome prince who turns out, sadly, not to be charming. Here, she evokes that work of fiction: an account of her life, adventures, and misadventures, from childhood to her 30s. Once again, there is a cruel stepmother, a woman her father quickly married after Moore’s mother, who had suffered several mental breakdowns, died in her sleep; a hardscrabble young adulthood when Moore, at 17, was sent from her native Hawaii to live with her grandmother and aunt in Pennsylvania; beneficent godmothers; handsome lovers; and fabulous clothes. Moore’s stepmother resented Moore and her siblings, rationed their food, and deprived them of simple childhood pleasures. To escape her repressive home, Moore slipped away to visit a neighboring couple, the extremely wealthy and influential Kaisers: he, the famous shipbuilder; she, his beautiful younger wife, who bestowed on Moore castoff designer clothes, furs, and shoes. The Kaisers’ connections opened doors for the author: a job at Bergdorf’s; modeling, including at a boat trade show, where she wore a glittering silver sheath as Miss Aluminum; and minor roles in movies. With no aspirations to be an actor, Moore takes a wry, cleareyed view of the movie world’s pretensions. Like the Kaisers, Connie Wald, the glamorous widow of producer Jerry Wald, proved to be another benefactor, launching Moore into a world of literary, artistic, and entertainment royalty: Joan Didion, Audrey Hepburn, Elizabeth Taylor, Mike Nichols, and Jack Nicholson (with whom Moore had a brief fling), among many others. Moore portrays herself as “self-invented…a girl on the run,” buffeted by life, “high-spirited” but always in need of emotional and financial protection and constantly afflicted by a “ceaseless longing for my mother.” By her 30s, she stood on firmer ground: divorced, mother to an infant daughter, newly confident about shaping her future.

A captivating portrait of a woman in search of herself.

Pub Date: April 14, 2020

ISBN: 978-0-374-27971-4

Page Count: 288

Publisher: Farrar, Straus and Giroux

Review Posted Online: Dec. 7, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...


Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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