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ON GRACE

A cozy, conversational read featuring a lovably neurotic heroine.

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In Schnall’s debut novel, shocking news derails a woman’s plans for her 40th birthday and prompts a journey of self-discovery.

As she prepares to send her youngest child off to school, stay-at-home mom Grace May dreams of filling her free time writing for Westchester Weekly magazine and rekindling her relationship with her husband, Darren. Unfortunately, the magazine shuts down before she pens her first column, and Darren makes a tearful confession that he cheated on Grace with a cocktail waitress. At first, Grace’s situation doesn’t seem to justify her panic: She doesn’t need to work, and her appropriately sheepish husband seems willing to wine and dine his way back into her good graces. But this isn’t enough to stop Grace from feeling sorry for herself or from holding a grudge against Darren. The real source of her discomfort becomes clear as she explains her wavering emotions and self-critical thoughts in long stretches of dialogue with her best friend, Cameron, who’s having fertility problems, and her mother and sister, whose relationships with Grace can’t fill the void left by her other sister’s death. “I’m so conflicted about whether I’m supposed to have a job or whether I’m supposed to be home with the boys,” Grace laments. Her mother replies, “You’re concerned with what you’re supposed to do, instead of doing what you want to do,” and she cites how Grace took ballet classes as a child because her teacher complimented her—not because she liked them. The author’s blend of girl talk and self-help wisdom reads like a conversation overheard at Starbucks: It’s written in a friendly, nonjudgmental voice that any woman would want to hear after a bad day. Just as Grace is ready to forgive Darren, a reunion with her high school crush threatens their marriage once again, and Cameron announces a shocking revelation of her own. Faced with real-world problems, Grace adjusts her priorities, confronts her fears, and in the process of being true to herself, learns the real meaning of the word “grace.”

A cozy, conversational read featuring a lovably neurotic heroine.

Pub Date: April 8, 2014

ISBN: 978-1-940716-13-8

Page Count: 274

Publisher: SparkPress

Review Posted Online: April 16, 2014

Kirkus Reviews Issue: June 1, 2014

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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