A frenetic packing of materials that leaves in-depth analysis mostly sacrificed for a panoramic view—but the resulting...
Should gays and lesbians exult in the recent spate of media depictions of their lives or shudder at the homogenized sterilization of their diversity?
Against the backdrop of the 1980s and ’90s, Walters (Sociology & Women’s Studies/Georgetown Univ.; Lives Together/Worlds Apart, 1992) analyzes the promise and the threat of queer portrayals in contemporary media: although the number of these programs and personalities has skyrocketed, the resulting depictions of gay and lesbian life often emerge as disturbingly skewed. In a nutshell, her thesis contends that increased gay representations in the media may entail that America sees the gay and lesbian community more frequently than ever; however, due to the stereotypical visions of queer life—such as psycho dykes, ditzy fashion homos, and lesbian chic—this visibility does not correspond with an increased knowledge about homosexuality. With a sweeping range, Walters probes the cultural repercussions of such characters as Dynasty’s tortured bisexual Steven Carrington and the all-too-chaste Matt of Melrose Place, as well as examining specific episodes of programs including Roseanne (when Mariel Hemingway kissed the eponymous heroine) and the coming-out episode of Ellen. Films also come under scrutiny, as Walters considers the differences between queer portrayals in mainstream Hollywood and those in independent films. And there are chapters on gay marriages, coming-out stories, and queer parenting—and an analysis of advertising images of gay and lesbian life, in which Walters dissects the commercialization of the queer community (pointing to a predictable display of gleaming teeth and toned bodies).
A frenetic packing of materials that leaves in-depth analysis mostly sacrificed for a panoramic view—but the resulting picture nevertheless emerges as detailed and refined.Pub Date: Oct. 11, 2001
ISBN: 0-226-87231-9
Page Count: 322
Publisher: Univ. of Chicago
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2001
BOOK REVIEW
BOOK REVIEW
A sharp, compelling, and impassioned book.
A London-based journalist offers her perspective on race in Britain in the early 21st century.
In 2014, Eddo-Lodge published a blog post that proclaimed she was “no longer engaging with white people on the topic of race.” After its viral reception, she realized that her mission should be to do the opposite, so she actively began articulating, rather than suppressing, her feelings about racism. In the first chapter, the author traces her awakening to the reality of a brutal British colonial history and the ways that history continues to impact race relations in the present, especially between blacks and the police. Eddo-Lodge analyzes the system that has worked against blacks and kept them subjugated to laws that work against—rather than for—them. She argues that it is not enough to deconstruct racist structures. White people must also actively see race itself by constantly asking “who benefits from their race and who is disproportionately impacted by negative stereotypes.” They must also understand the extent of the privileges granted them because of their race and work through racist fears that, as British arch-conservative Enoch Powell once said, “the black man will [one day] have the whip hand over the white man.” Eddo-Lodge then explores the fraught question of being a black—and therefore, according to racist stereotype—“angry” female and the ways her “assertiveness, passion and excitement” have been used against her. In examining the relationship between race and class, the author further notes the way British politicians have used the term “white” to qualify working class. By leaving out reference to other members of that class, they “compound the currency-like power of whiteness.” In her probing and personal narrative, Eddo-Lodge offers fresh insight into the way all racism is ultimately a “white problem” that must be addressed by commitment to action, no matter how small. As she writes, in the end, “there's no justice, there's just us.”
A sharp, compelling, and impassioned book.Pub Date: Dec. 5, 2017
ISBN: 978-1-4088-7055-6
Page Count: 272
Publisher: Bloomsbury
Review Posted Online: Sept. 16, 2017
Kirkus Reviews Issue: Oct. 1, 2017
SEEN & HEARD
Dramatic, immersive, and wanting—much like desire itself.
Based on eight years of reporting and thousands of hours of interaction, a journalist chronicles the inner worlds of three women’s erotic desires.
In her dramatic debut about “what longing in America looks like,” Taddeo, who has contributed to Esquire, Elle, and other publications, follows the sex lives of three American women. On the surface, each woman’s story could be a soap opera. There’s Maggie, a teenager engaged in a secret relationship with her high school teacher; Lina, a housewife consumed by a torrid affair with an old flame; and Sloane, a wealthy restaurateur encouraged by her husband to sleep with other people while he watches. Instead of sensationalizing, the author illuminates Maggie’s, Lina’s, and Sloane’s erotic experiences in the context of their human complexities and personal histories, revealing deeper wounds and emotional yearnings. Lina’s infidelity was driven by a decade of her husband’s romantic and sexual refusal despite marriage counseling and Lina's pleading. Sloane’s Fifty Shades of Grey–like lifestyle seems far less exotic when readers learn that she has felt pressured to perform for her husband's pleasure. Taddeo’s coverage is at its most nuanced when she chronicles Maggie’s decision to go to the authorities a few years after her traumatic tryst. Recounting the subsequent trial against Maggie’s abuser, the author honors the triumph of Maggie’s courageous vulnerability as well as the devastating ramifications of her community’s disbelief. Unfortunately, this book on “female desire” conspicuously omits any meaningful discussion of social identities beyond gender and class; only in the epilogue does Taddeo mention race and its impacts on women's experiences with sex and longing. Such oversight brings a palpable white gaze to the narrative. Compounded by the author’s occasionally lackluster prose, the book’s flaws compete with its meaningful contribution to #MeToo–era reporting.
Dramatic, immersive, and wanting—much like desire itself.Pub Date: July 9, 2019
ISBN: 978-1-4516-4229-2
Page Count: 320
Publisher: Avid Reader Press
Review Posted Online: May 19, 2019
Kirkus Reviews Issue: June 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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