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THE KING IS DEAD

THE LAST WILL AND TESTAMENT OF HENRY VIII

A delightful story of intrigue and manipulation that shows how Henry really couldn’t control his kingdom.

Lipscomb (A Journey Through Tudor England: Hampton Court Palace and the Tower of London to Stratford-upon-Avon and Thornbury Castle, 2015, etc.) shows Henry VIII’s attempt to continue control over both church and state.

His last will, signed a month before his death, set forth the steps of succession beginning with his son, Edward. After arranging for possible children of his current and any future wives, he pronounced first Mary, then Elizabeth to be the next successors. In naming his son, he also stipulated that Edward’s heirs, or named successors, were primary. In another scenario, instead of naming the heirs of his sister, Margaret, he skipped to the heirs of the daughter of his sister, Mary: Frances Grey—i.e. Lady Jane Grey. In the 1540s, after war with the Scots, Henry arranged with Marie de Guise, James V’s widow, to wed her infant daughter Mary to his son Edward. However, de Guise had bigger plans for her daughter in France and renounced the match. Henry never forgave a slight, so Mary Queen of Scots was left out of the succession plans. Another of Henry’s stipulations was that Masses should be said for his soul. This was particularly artful, as he had dissolved monasteries whose members prayed for souls. Hedging his bets, Henry still left land and revenues for Masses and prayers to ensure his place in heaven. He designated more than a dozen executors and regents in hopes the transfer of power would be smooth. The author, who shows her deep knowledge of the Tudor period throughout the book, rejects the many charges that Henry’s will might have been changed or altered or that undue influence was used. It was treason to even suggest that the king might die. Afterward, the story was completely different, with Edward Seymour and Chief Secretary William Paget seizing control of the Regency and the kingdom.

A delightful story of intrigue and manipulation that shows how Henry really couldn’t control his kingdom.

Pub Date: Dec. 20, 2016

ISBN: 978-1-68-177254-7

Page Count: 336

Publisher: Pegasus

Review Posted Online: Sept. 16, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Kirkus Reviews'
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  • National Book Award Winner


  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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