by Suzanne Berne ‧ RELEASE DATE: Jan. 12, 2016
It's too bad about the dogs, but they died for a good cause.
Ranked sixth on the Wall Street Journal's list of Best Places to Live, the fictional town of Littlefield, Massachusetts, is far from paradise.
First there are crude brown-paper signs—"Leash Your Beast Or Else"—stuck up around the park. Then there's a dead white bull mastiff, the first in a series of dogs to turn up poisoned. Dr. Clarice Watkins, a sociologist who's just moved to town to study "what must be the world's most psychologically policed and probably well-medicated population," soon realizes her subjects' supposed state of grace is under siege. She's causing a bit of a stir herself as a short, black woman who wears a turban and is believed to know the Obamas; she's invited to share her "tribal cuisine" at Celebrate Your Heritage Day. One of the more troubled residents in Watkins' study cohort is Julia Downing, the preteen daughter of a fraying marriage between a hypervigilant, bored mother (about to embark on an affair with the town's literary novelist) and a depressed, recently jobless dad. Their little girl is a bit of a sociologist herself. She keeps a popularity report on the seventh grade in which the top 10 shifts every day, but her own position remains at 73. For her history class, she's working on a survey of Littlefield, in which she counts 23 banks, 6 dog groomers, 4 yoga studios, 4 liquor stores, 1,146 psychotherapists, and 679 psychiatrists. For all her mother's helicoptering, Julia manages to get into some real scrapes. She falls through thin ice when trying to rescue a dog out on a wintry pond. Soon after, she screws up a babysitting job so badly that hospitalization and euthanasia are involved. These disasters have the perverse effect of making her a celebrity on social media. Berne (Missing Lucile, 2010, etc.), who won the Orange Prize for her first novel, A Crime in the Neighborhood (1997), is a sure hand at the dinner parties, school concerts, teacup tempests, and true moments of suspense that make a suburban comedy of manners par excellence.
It's too bad about the dogs, but they died for a good cause.Pub Date: Jan. 12, 2016
ISBN: 978-1-4767-9424-2
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Sept. 22, 2015
Kirkus Reviews Issue: Oct. 1, 2015
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by George Orwell ‧ RELEASE DATE: Aug. 26, 1946
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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by George Orwell ; edited by Peter Davison
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by Chinua Achebe ‧ RELEASE DATE: Jan. 23, 1958
This book sings with the terrible silence of dead civilizations in which once there was valor.
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Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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