A bleak but psychologically insightful portrait of family dynamics.
These people are related—but can they relate?
Berne, who won the Orange Prize for A Crime in the Neighborhood, her 1997 debut, and more recently charmed readers with the social satire The Dogs of Littlefield (2016), chooses a tight focus for her latest: the tense dynamics of three troubled individuals as they play out over a few days in rural Vermont. Marika is a Dutch survivor of the Nazi occupation; she lives alone in a run-down cottage by a lake, where the action occurs. Marika has been only barely in touch with her daughter, Lorna, whom she abandoned along with her husband and son when the children were young, resurfacing more than 30 years later, after the birth of Lorna's son. Lorna is a therapist whose husband has recently left her for another woman and moved to the West Coast; she is dealing with the return from college of her 19-year-old, Adam, after a traumatic experience he will not share—nor has she ever told him about her mother's abandonment. Following his mysterious humiliation, Adam has embarked on what he thinks of as a "scourge" that involves, among other things, rejecting the first-person pronoun and proper names. He is A, his parents are X and Y, and this makes the first chapter, written from his perspective, a tough read. "A did away with I. I=Death." When Lorna learns that Marika has sprained her ankle and needs family assistance, she asks Adam to accompany her on the road trip. He agrees only as part of his self-abnegation project but then finds he has a more positive response to his gruff, unappealing grandmother than to what he sees as his pathetic, approval-seeking mom. Lorna, though miserable, is smart enough to see what's going on. "People who suffered a trauma often felt that if it went unmentioned it was containable, which led to intimacy issues." So Marika's not talking about her very dark war experience, Lorna's not talking about her childhood, and Adam sure as hell isn't telling what happened at college. Until they all do.
A bleak but psychologically insightful portrait of family dynamics.Pub Date: Jan. 10, 2023
ISBN: 978-1-476-79426-6
Page Count: 272
Publisher: Marysue Rucci Books
Review Posted Online: Oct. 26, 2022
Kirkus Reviews Issue: Nov. 15, 2022
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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