A bleak but psychologically insightful portrait of family dynamics.
These people are related—but can they relate?
Berne, who won the Orange Prize for A Crime in the Neighborhood, her 1997 debut, and more recently charmed readers with the social satire The Dogs of Littlefield (2016), chooses a tight focus for her latest: the tense dynamics of three troubled individuals as they play out over a few days in rural Vermont. Marika is a Dutch survivor of the Nazi occupation; she lives alone in a run-down cottage by a lake, where the action occurs. Marika has been only barely in touch with her daughter, Lorna, whom she abandoned along with her husband and son when the children were young, resurfacing more than 30 years later, after the birth of Lorna's son. Lorna is a therapist whose husband has recently left her for another woman and moved to the West Coast; she is dealing with the return from college of her 19-year-old, Adam, after a traumatic experience he will not share—nor has she ever told him about her mother's abandonment. Following his mysterious humiliation, Adam has embarked on what he thinks of as a "scourge" that involves, among other things, rejecting the first-person pronoun and proper names. He is A, his parents are X and Y, and this makes the first chapter, written from his perspective, a tough read. "A did away with I. I=Death." When Lorna learns that Marika has sprained her ankle and needs family assistance, she asks Adam to accompany her on the road trip. He agrees only as part of his self-abnegation project but then finds he has a more positive response to his gruff, unappealing grandmother than to what he sees as his pathetic, approval-seeking mom. Lorna, though miserable, is smart enough to see what's going on. "People who suffered a trauma often felt that if it went unmentioned it was containable, which led to intimacy issues." So Marika's not talking about her very dark war experience, Lorna's not talking about her childhood, and Adam sure as hell isn't telling what happened at college. Until they all do.
A bleak but psychologically insightful portrait of family dynamics.Pub Date: Jan. 10, 2023
ISBN: 978-1-476-79426-6
Page Count: 272
Publisher: Marysue Rucci Books
Review Posted Online: Oct. 26, 2022
Kirkus Reviews Issue: Nov. 15, 2022
A fresh, often funny, always poignant take on the coming-of-age novel.
After a loss, a young British woman from a Ghanaian family reassesses her responsibilities.
Her name is Maddie, but the young protagonist in George’s engaging coming-of-age novel has always been known to her family as Maame, meaning woman. On the surface, this nickname is praise for Maddie’s reliability. Though she’s only 25, she works full time at a London publishing house and cares for her father, who’s in the late stages of Parkinson’s disease. Maddie’s older brother, James, has little interest in helping out, and their mother is living in Ghana and running the business she inherited from her own father. When she needs money, she always calls Maddie, who shoulders these expectations and burdens without complaint, never telling her friends about her frustrations: “We’re Ghanaian, so we do things differently” is an idea that's ingrained in her. Her only confidant is Google, to whom she types desperate questions and gets only moderately helpful responses. (Google does not truly understand the demands of a religious yet remote African-born mother.) But when Maddie loses her job and tragedy strikes, she begins to question the limits of family duty and wonders what sort of life she can create for herself. With a light but firm touch, George illustrates the casual racism a young Black woman can face in the British (or American) workplace and how cultural barriers can stand in the way of aspects of contemporary life such as understanding and treating depression. She examines Maddie’s awkward steps toward adulthood and its messy stew of responsibility, love, and sex with insight and compassion. The key to writing a memorable bildungsroman is creating an unforgettable character, and George has fashioned an appealing hero here: You can’t help but root for Maddie’s emancipation. Funny, awkward, and sometimes painful, her blossoming is a real delight to witness.
A fresh, often funny, always poignant take on the coming-of-age novel.Pub Date: Jan. 31, 2023
ISBN: 978-1-2502-8252-1
Page Count: 320
Publisher: St. Martin's
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
SEEN & HEARD
PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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