A touching tale that balances love, loss, and family drama.
Secrecy and deep sorrow complicate new beginnings in Kamata’s novel, told through the eyes of three women.
In 2021, Olivia Hamada, a newly unemployed American living in Japan, is grieving the loss of her brother, Ted, and hiding her divorce from everyone—including the 18-year-old twins whom she had with her Japanese ex-husband. It’s been more than a year since Ted’s unexpected death and pandemic travel restrictions have lifted, allowing Olivia, a former English-language writing instructor, and her children to travel to the United States to spread the last of Ted’s ashes and spend the summer with his widow, Parisa Hubbard, at her idyllic South Carolina beach house. Parisa, a successful fashion designer whose creations are inspired by her South Asian heritage, is ready to embrace a fresh chapter, but, fearing that she’ll upset Ted’s family, she keeps her big plans to herself. Lastly, readers meet Sophie, Olivia’s deaf daughter, who attends a specialized high school with only 12 students and is craving new experiences. Her wish is granted when she meets the eye-catching Dante, sparking a sweet, summer romance. Sophie vows to keep the relationship hidden, but this proves to be surprisingly difficult. When Olivia has a run-in with Devon Richards, a now-famous country singer from her past, she’s unable to resist their sizzling mutual attraction, which they must keep secret. At times, Kamata’s novel leans too heavily on backstory. However, the short chapters dedicated to each character, and tender moments interspersed with messy, rom-com-worthy entanglements, will keep readers intrigued. Lush images of sand and surf offer a breezy escape from tougher emotional scenes: “Farther up the beach, beyond the waving grass, people were gathering on decks and porches, firing up their grills, popping open bottles of beer, hanging their wet towels over railings.” References to Japanese and Indian traditions also enrich the pages. Kamata delicately weaves heartbreak with humor throughout the story, and authentically captures the complex inner lives of women at various stages navigating wildly different obstacles.
A touching tale that balances love, loss, and family drama.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Wyatt-MacKenzie Publishing
Review Posted Online: May 7, 2024
Review Program: Kirkus Indie
The queen of social activist novels has done it again. Impressive, important, and fun to read.
The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.
“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in September, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fifteen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.
The queen of social activist novels has done it again. Impressive, important, and fun to read.Pub Date: Sept. 15, 2026
ISBN: 9780593726259
Page Count: 464
Publisher: Ballantine
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
SEEN & HEARD
PERSPECTIVES
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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