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PLUNDER AND SURVIVAL

STORIES OF THEFT, LOSS, RECOVERY, AND MIGRATION OF NAZI-UPROOTED ART

A work that stands out from the immense and ever-growing shelf of World War II literature.

A rich portrait of the fate of art—and artists—in the shadow of Hitler.

Loebl opens her book with a jolt: Over the course of their rule, the Nazis looted some 650,000 pieces of art. In her ranging and mostly engrossing investigation, she focuses on the principal figures, events, and works that were at play in this knotted and tragic story of art in the Third Reich. The author of 14 books, including America’s Medicis: The Rockefellers and Their Astonishing Cultural Legacy, Loebl herself escaped Nazi Germany with her art-collecting family. As she rightly conveys, art was something that senior Nazis both hungered for and despised, depending on the subject, genre, and artist’s nationality. In swift and unencumbered prose, the author tells of how they attempted—and often succeeded—in cleansing it, first in Germany and then in the territories they occupied, looting museums and private collections at will. One target was the German Expressionists whose work Hitler regarded as “degenerate.” In short profiles of the artists and their patrons or dealers, Loebl gives a thoughtful account of this crucial interwar movement and the attacks it endured as the Nazis rose to power. The author, who spent much of the war in hiding in Belgium, weaves in her personal story to great effect, including descriptions of her own forbears’ collections of Bauhaus furniture and important prints and paintings. Her writing sags at times when she attempts to demonstrate the vastness of Nazi plunder by favoring breadth over depth in stories of dozens of dealers and collectors. This choice makes some of the characters seem unidimensional. This blemish aside, she succeeds in presenting the immensity of artistic loss caused by the Germans, both the spoliated works and sometimes the artists themselves, some of whom perished in concentration camps. Powerfully, she gives readers a blunt reminder of how much art with dubious provenance remains in the galleries of our great museums.

A work that stands out from the immense and ever-growing shelf of World War II literature.

Pub Date: Oct. 16, 2025

ISBN: 9781538194225

Page Count: 224

Publisher: Bloomsbury Academic

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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