by Suzanne Marrs ‧ RELEASE DATE: May 12, 2011
Thoroughly annotated and judiciously selected—a vivid snapshot of 20th-century intellectual life and an informative glimpse...
Warm, chatty letters over six decades between a short-story master and her New Yorker editor.
When they met in 1942, Eudora Welty (1909–2001) had yet to appear in the New Yorker, though William Maxwell (1908–2000) was already an ardent admirer. It took him another nine years to persuade founder Harold Ross, who found Welty’s work suspiciously “arty,” to publish “The Bride of Innisfallen.” The correspondence kicks into high gear with an exchange of letters over that story’s galley proofs, revealing Maxwell as a sensitive and respectful editor. Their friendship was by then firmly established and embraced Maxwell’s wife Emmy; editor Marrs (English/Millsaps Coll; Eudora Welty, 2005, etc.) includes a few of her letters as well. Welty and Maxwell share the pangs of creation—both were painstaking writers who often took a long time to gestate short works—as well as tips about gardening and updates on their families. The Maxwells met Welty’s mother and beloved nieces several times; Welty adored the couple’s two daughters, whom she saw on her frequent stopovers in New York. The writers exult together as honors are showered on both in later years: Welty garnered a Pulitzer prize for The Optimist’s Daughter, and Maxwell’s novella So Long, See You Tomorrow in 1980 won the Howells Medal, which Welty had received 25 years earlier for a novella dedicated to the Maxwells (The Ponder Heart). Even as old age, ailments and the deaths of friends and relatives assail them, the tone of their letters is almost always positive and supportive. Indeed, both writers were such thoroughly nice people that readers may occasionally wish for a bit of mean-spirited gossip of the sort that enlivens Virginia Woolf’s correspondence. Still, it’s inspiring to see a literary friendship apparently untainted by competitiveness or jealousy, though the sameness of tone makes this better for browsing than a cover-to-cover read.
Thoroughly annotated and judiciously selected—a vivid snapshot of 20th-century intellectual life and an informative glimpse of the author-editor relationship, as well a tender portrait of devoted friendship.Pub Date: May 12, 2011
ISBN: 978-0-547-37649-3
Page Count: 480
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Feb. 1, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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edited by Suzanne Marrs & Tom Nolan
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Jon Krakauer ‧ RELEASE DATE: Jan. 1, 1996
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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