The provocative issues raised sometimes get lost in the predictability of the romance and ho-hum characters.
Poet and novelist Matson (A Trick of Nature, 2000, etc.) explores the boundaries between activism and terrorism through the eyes of a privileged college student in the throes of first love.
The pampered, protected daughter of an aristocratic, politely liberal Boston lawyer—a single mother inseminated by a sperm-donor—Julie is a naïve Wellesley College sophomore when she falls madly in love with Neil, a Ph.D. candidate studying deforestation. In her first act of overt rebellion, Julie ignores her mother’s misgivings and accompanies Neil to Oregon for the summer to work with activists who are trying to thwart the logging industry. Of course, unable or unwilling to escape her sense of privilege, Julie does keep her trust-fund account handy. Mainly drawn to Oregon by the possibility of sex in the trees with Neil, Julie soon finds herself among young people who take their idealism very seriously. At first intimidated, then skeptical, Julie is drawn to the romanticism of Neil’s commitment. She remains besotted even as she recognizes that he is an ideologue who sees the necessity of terrorist acts for their shock value. Because she can draw, Julie is sent to the Wainwright Timber Company to sketch the plant’s layout. As a ruse, she applies for a job with the company and ends up working there for a month. While spying and stealing company documents for the activists, she gets to know and like her fellow Wainwright employees, even Mr. Wainwright himself. Her ambivalence and burgeoning skepticism deepen when the usually reserved Neil finally declares his love for her. After a bomb he’s planted at an SUV dealership injures a salesman, Julie finally bales out of the movement and returns to school without Neil. Two years later, when she reads that Wainwright Timber has been bombed, she feels guilt and fear.
The provocative issues raised sometimes get lost in the predictability of the romance and ho-hum characters.Pub Date: Feb. 20, 2006
ISBN: 0-393-06046-2
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2005
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
