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AROUND AGAIN

Bleached of genuine drama or human interest, an excellent driving-in-the-car-while-looking-for-parking-place-near-the-beach...

Shea’s lackluster fourth (Lily of the Valley, 1999, etc.) follows a woman’s recollection of a formative summer on a pony farm—when her best friend kidnapped a baby and stole her boyfriend.

With bland prose that expends itself in quantities far more impressive than the simple points it tries to make, Shea introduces 40-ish Robyn Panek as she returns to her Uncle Pal’s horse farm in Massachusetts to sell the old place. Uncle Pal, widowed for some years, has recently fallen ill and is intent on getting rid of it. Shea stirs memories as Robyn recalls the girlhood summer she spent on the farm, when the overbearingly named Lucy Dragon, a distant relative, showed up for a visit in the aftermath of a suicide attempt. Robyn asserts that this had been shocking for her, but Shea never really gives the reader a feel for it, aside from some stale “I remember I went to a mental institution once and it was scary” anecdotes from Lucy. Robyn had also been in love with goodhearted Frankie, the delivery boy from the local dairy, and shortly after Lucy arrived, she began flirting with him. Lucy then snatched a nearby baby and hid out with Frankie for a few days, until the three of them were caught. Robyn fled, but two decades later, Lucy herself, now an established realtor, shows up to help sell the farm. She’s in a giving-something-back sort of mood and confides to Robyn that she’d been pregnant, had been forced to give the child up for adoption, and was feeling some baby-yearning that summer. Frankie shows up, too, tells Robyn the dark secret of hiding with Lucy, and owns up to the fact that he’s still in love with Robyn. They get together, but one morning both the prized horses and Lucy go missing. Mad reenactment of a past horror? Not to worry: Lucy’s been swinging a sweet deal that leaves everyone happy.

Bleached of genuine drama or human interest, an excellent driving-in-the-car-while-looking-for-parking-place-near-the-beach read.

Pub Date: July 10, 2001

ISBN: 0-7434-0375-4

Page Count: 352

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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