An engaging tale, deftly crafted and plotted, with plenty of Irish whimsy, charm, and blarney.
Shea forsakes her usual subject, Polish-Americans in Massachusetts (Around Again, 2001, etc.), to portray a single American woman taking on a new life in a small Irish village.
Narrator Sophie, single and 30-ish, comes to the westernmost spot in Ireland because her good friend and former coworker Gina thinks a trip there will help both of them get over losing their jobs. But the day after they arrive in Booley for a three-month visit, Gina heads back to the US, declaring it’s not the place she needs but insisting that her friend remain. Soon Sophie is one of the locals. She gets a job in Liam’s craftshop, reorganizes the entire store, makes bracelets that are a big hit, and befriends all the villagers. Liam is still recovering from his love affair with Finola O’ Flynn, whose name is on the storefront. Finola left Booley three years ago with a new love, and Liam has never been the same. Neither has most of Booley, Sophie soon learns: everyone she meets, from Noel the weaver to elderly retired farmer Joe, recalls the wonders Finola worked. Sophie soon finds herself taking on Finola’s identity as customers in the shop, mostly tourists, assume that must be her name. She had planned to move in with traveling salesman Charlie when she went home, but—in what she concedes is an amazing coincidence—Charlie’s hitherto unacknowledged wife and two daughters stop by the shop on their way to London. Sophie’s broken heart is soon cured by Liam, and she begins to plan on settling in Booley for good after a quick trip home. But then Finola suddenly returns the day before Sophie must leave. Stateside, Sophie tries to forget, but a promise to old Joe brings her back to the village, where Finola has some revelations of her own.
An engaging tale, deftly crafted and plotted, with plenty of Irish whimsy, charm, and blarney.Pub Date: June 1, 2004
ISBN: 0-7434-0377-0
Page Count: 336
Publisher: Washington Square/Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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