by Svetlana Alexievich translated by Bela Shayevich ‧ RELEASE DATE: May 24, 2016
Profoundly significant literature as history.
A lively, deeply moving cacophony of Russian voices for whom the Soviet era was as essential as their nature.
Nobel Prize–winning (2015) Russian writer Alexievich (Voices from Chernobyl, 2005, etc.) presents a rich kaleidoscope of voices from all regions of the former Soviet Union who reveal through long tortuous monologues what living under communism really was like. For a new generation of Russians born after World War II, the era of Mikhail Gorbachev, perestroika and glasnost, the attempted putsch of the government, collapse of the Soviet Union, and subsequent economic crises of the 1990s under Boris Yeltsin heralded a sense of freedom and new possibility, yet many Russians were left disillusioned and angry. What was socialism now supposed to mean for the former Homo sovieticus, now derogatively called a sovok ("dustbin")? Indeed, how to reconcile 70-plus years of official lies, murder, misery, and oppression? In segments she calls "Snatches of Street Noise and Kitchen Conversations," Alexievich transcribes these (apparently) recorded monologues and conversations in sinuous stream-of-consciousness prose. People of all ages delineate events with bewilderment and fury—e.g., those who had taken to the barricades during the putsch of 1991 hoping for another utopia ("They buried Sovietdom to the music of Tchaikovsky") and ending up with a scary new world where capitalism was suddenly good and "money became synonymous with freedom." The older generation had lived through the era of Stalin, the KGB and arbitrary arrests, betrayal by neighbors and friends, imprisonment, torture, and the gulag, and these remembrances are particularly haunting to read. One horrifying example is an older neighbor and friend of a man who burned himself alive in his vegetable patch because he had nothing left to live for. The suicides Alexievich emphasizes are heart-wrenching, as is the reiterated sense of the people's "naivete" in the face of ceaseless official deception, the endurance of anti-Semitism, war in the former Soviet republics, famine, and the most appalling living conditions. The author captures these voices in a priceless time capsule.
Profoundly significant literature as history.Pub Date: May 24, 2016
ISBN: 978-0-399-58880-8
Page Count: 496
Publisher: Random House
Review Posted Online: March 29, 2016
Kirkus Reviews Issue: April 15, 2016
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by Svetlana Alexievich ; translated by Richard Pevear & Larissa Volokhonsky
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by Svetlana Alexievich translated by Richard Pevear Larissa Volokhonsky
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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