A lively, deeply moving cacophony of Russian voices for whom the Soviet era was as essential as their nature.
Nobel Prize–winning (2015) Russian writer Alexievich (Voices from Chernobyl, 2005, etc.) presents a rich kaleidoscope of voices from all regions of the former Soviet Union who reveal through long tortuous monologues what living under communism really was like. For a new generation of Russians born after World War II, the era of Mikhail Gorbachev, perestroika and glasnost, the attempted putsch of the government, collapse of the Soviet Union, and subsequent economic crises of the 1990s under Boris Yeltsin heralded a sense of freedom and new possibility, yet many Russians were left disillusioned and angry. What was socialism now supposed to mean for the former Homo sovieticus, now derogatively called a sovok ("dustbin")? Indeed, how to reconcile 70-plus years of official lies, murder, misery, and oppression? In segments she calls "Snatches of Street Noise and Kitchen Conversations," Alexievich transcribes these (apparently) recorded monologues and conversations in sinuous stream-of-consciousness prose. People of all ages delineate events with bewilderment and fury—e.g., those who had taken to the barricades during the putsch of 1991 hoping for another utopia ("They buried Sovietdom to the music of Tchaikovsky") and ending up with a scary new world where capitalism was suddenly good and "money became synonymous with freedom." The older generation had lived through the era of Stalin, the KGB and arbitrary arrests, betrayal by neighbors and friends, imprisonment, torture, and the gulag, and these remembrances are particularly haunting to read. One horrifying example is an older neighbor and friend of a man who burned himself alive in his vegetable patch because he had nothing left to live for. The suicides Alexievich emphasizes are heart-wrenching, as is the reiterated sense of the people's "naivete" in the face of ceaseless official deception, the endurance of anti-Semitism, war in the former Soviet republics, famine, and the most appalling living conditions. The author captures these voices in a priceless time capsule.
Profoundly significant literature as history.Pub Date: May 24, 2016
ISBN: 978-0-399-58880-8
Page Count: 496
Publisher: Random House
Review Posted Online: March 30, 2016
Kirkus Reviews Issue: April 15, 2016
Categories: GENERAL HISTORY | GENERAL CURRENT EVENTS & SOCIAL ISSUES | CURRENT EVENTS & SOCIAL ISSUES | WORLD | WORLD | HISTORY
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Not an easy read but an essential one.
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Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.
In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.
Not an easy read but an essential one.Pub Date: Aug. 13, 2019
ISBN: 978-0-525-50928-8
Page Count: 320
Publisher: One World/Random House
Review Posted Online: April 28, 2019
Kirkus Reviews Issue: May 15, 2019
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PROFILES
SEEN & HEARD
SEEN & HEARD
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Categories: BIOGRAPHY & MEMOIR | HOLOCAUST | HISTORY | GENERAL BIOGRAPHY & MEMOIR | GENERAL HISTORY
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