Often more a metaphorical than tangible story, but unquestionably a literary journey worth taking.
In this dystopian novel, scientists struggle to find the source of a worldwide virus causing sexually stimulated men to assault women.
Women aboard the luxury cruise ship Luxus Maximus find themselves the targets of an unlikely threat—the male passengers. The men, with conspicuously engorged members, accost the ladies in an apparent trance. The women duck out in a suite and get help from the Australian Federal Police, boarding via helicopter. Doctors, however, can find nothing wrong with the affected men, who later express no interest in females, sexual or otherwise. A quarantine to subvert a potential outbreak is evidently ineffective: men are soon trying to force themselves onto women on a global scale. Scientists, including geneticist Dr. Roger Klein, can’t immediately pinpoint the cause but determine that the mere sight of the opposite sex triggers the men’s response. Agencies, meanwhile, opt for temporary solutions. Separating the genders, for one, fails when armed male soldiers, intended to keep men away from safe zones, cross into the women’s areas and attack. Burqas quiet things down, but Christians suggesting that a cross be emblazoned on the Islamic garment ignites heated religious debates and eventual terrorist strikes. Klein discovers a mutating virus and a message—converted to audio and visual components—in genetic material. If the message can be translated, scientists may uncover the virus’s origin and possibly a cure. Despite a seemingly playful title, the novel takes itself seriously, more in tune with dark satire. There’s copious fallout from the virus, for example, like the chance of economic crisis because women primarily staying inside diminishes the workforce. Abanteriba (Poetic Retribution from Mars, 2006) provides back stories for notable characters such as Klein and Dr. Harald Brand, director-general of the World Health Organization. Regardless, a focus on the plot doesn’t afford them much personality. The latter half slows down considerably, with Klein and company searching for someone to translate the message. This portion is too long and tedious, repeatedly stressing that the world is on the “precipice” of or “teetering” on disaster (or doom, etc.). But the moral remains loud and clear, leading to a clever reexamination of the title and the imposing final thought.
Often more a metaphorical than tangible story, but unquestionably a literary journey worth taking.Pub Date: Feb. 23, 2016
ISBN: 978-1-4828-6431-1
Page Count: 454
Publisher: PartridgeSingapore
Review Posted Online: May 2, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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BOOK TO SCREEN
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