Often more a metaphorical than tangible story, but unquestionably a literary journey worth taking.
In this dystopian novel, scientists struggle to find the source of a worldwide virus causing sexually stimulated men to assault women.
Women aboard the luxury cruise ship Luxus Maximus find themselves the targets of an unlikely threat—the male passengers. The men, with conspicuously engorged members, accost the ladies in an apparent trance. The women duck out in a suite and get help from the Australian Federal Police, boarding via helicopter. Doctors, however, can find nothing wrong with the affected men, who later express no interest in females, sexual or otherwise. A quarantine to subvert a potential outbreak is evidently ineffective: men are soon trying to force themselves onto women on a global scale. Scientists, including geneticist Dr. Roger Klein, can’t immediately pinpoint the cause but determine that the mere sight of the opposite sex triggers the men’s response. Agencies, meanwhile, opt for temporary solutions. Separating the genders, for one, fails when armed male soldiers, intended to keep men away from safe zones, cross into the women’s areas and attack. Burqas quiet things down, but Christians suggesting that a cross be emblazoned on the Islamic garment ignites heated religious debates and eventual terrorist strikes. Klein discovers a mutating virus and a message—converted to audio and visual components—in genetic material. If the message can be translated, scientists may uncover the virus’s origin and possibly a cure. Despite a seemingly playful title, the novel takes itself seriously, more in tune with dark satire. There’s copious fallout from the virus, for example, like the chance of economic crisis because women primarily staying inside diminishes the workforce. Abanteriba (Poetic Retribution from Mars, 2006) provides back stories for notable characters such as Klein and Dr. Harald Brand, director-general of the World Health Organization. Regardless, a focus on the plot doesn’t afford them much personality. The latter half slows down considerably, with Klein and company searching for someone to translate the message. This portion is too long and tedious, repeatedly stressing that the world is on the “precipice” of or “teetering” on disaster (or doom, etc.). But the moral remains loud and clear, leading to a clever reexamination of the title and the imposing final thought.
Often more a metaphorical than tangible story, but unquestionably a literary journey worth taking.Pub Date: Feb. 23, 2016
ISBN: 978-1-4828-6431-1
Page Count: 454
Publisher: PartridgeSingapore
Review Posted Online: May 2, 2016
Review Program: Kirkus Indie
At Buckkeep in the Six Duchies, young Fitz, the bastard son of Prince Chivalry, is raised as a stablehand by old warrior Burrich. But when Chivalry dies without legitimate issue—murdered, it's rumored—Fitz, at the orders of King Shrewd, is brought into the palace and trained in the knightly and courtly arts. Meanwhile, secretly at night, he receives instruction from another bastard, Chade, in the assassin's craft. Now, King Shrewd's subjects are imperiled by the visits of the Red-Ship Raiders—formidable warriors who pillage the seacoasts and turn their human victims into vicious, destructive zombies. Since rehabilitating the zombies proves impossible, it's Fitz's task to go abroad covertly and kill them as quickly and humanely as possible. Shrewd orders that Fitz be taught the Skill—mental powers of telepathy and coercion possessed by all those of the royal line; his teacher is Galen, a sadistic ally of the popinjay Prince Regal, who hates Fitz all the more for his loyalty to Shrewd's other son, the stalwart soldier Verity. Galen brutalizes Fitz and, unknown to anyone, implants a mental block that prevents Fitz from using the Skill. Later, Shrewd decrees that, to cement an alliance, Verity shall wed the Princess Kettricken, heir to a remote yet rich mountain kingdom. Verity, occupied with Skillfully keeping the Red-Ship Raiders at bay, can't go to collect his bride, so Regal and Fitz are sent. Finally, Fitz must discover the depths of Regal's perfidy, recapture his true Skill, win Kettricken's heart for Verity, and help Verity defeat the Raiders. An intriguing, controlled, and remarkably assured debut, at once satisfyingly self-contained yet leaving plenty of scope for future extensions and embellishments.
Pub Date: April 17, 1995
ISBN: 0-553-37445-1
Page Count: 368
Publisher: Spectra/Bantam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1995
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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