Brownrigg considers motherhood, romance, identity, and the changes brought by time in this tender, insightful novel.
Two women, former lovers, reconnect with each other and themselves in Brownrigg’s sequel (which can be read independently) to her 2001 novel, Pages for You.
Flannery Jansen is married to a famous artist, living in the Bay Area, and raising (not quite single-handedly) the couple’s young daughter, Willa. When Flannery was in her 20s, before she became the third wife of the mercurial, charismatic Charles Marshall, she wrote two books, one a bestselling erotic memoir about her journey across Mexico with the woman who was then her lover to find her absent “aging American hippie” father. But the chapter of Flannery’s life that left the deepest emotional imprint on her came earlier still, when she was a coltish undergrad at Yale, deeply in love with a graduate student named Anne Arden. Anne taught Flannery about art, literature, and, ultimately, heartbreak. When Flannery’s thoughts keep her up at night, she turns them to the perfect relationship she imagines Anne has with the man for whom she left her, Jasper. But just as motherhood has dramatically altered Flannery’s identity and trajectory, Anne’s decision never to have children has shaped hers. Jasper, having developed a sudden, late-in-life yearning to have kids, has abandoned Anne after two decades together to start a family with someone else—someone young and French. Reunited at a literary conference—“Women Write the World”—at the university where their original love story played out, Flannery and Anne find their ways back to each other. In so doing, each woman also finds her way back to herself. Brownrigg (The Delivery Room, 2008, etc.) approaches her characters with clarity and sensitivity, capturing the nuances in the women’s relationships to the people they love—as mother, daughter, sister, friend, wife, or lover—and the power they give those people to define and inspire them. Though the author’s touch is generally deft, the prose does, at times, get a bit moist. Ultimately, however, the story is propelled less by the thrill of the erotic than by the pull of loves lost and selves seemingly left behind yet always with us.
Brownrigg considers motherhood, romance, identity, and the changes brought by time in this tender, insightful novel.Pub Date: July 1, 2017
ISBN: 978-1-61902-933-0
Page Count: 384
Publisher: Counterpoint
Review Posted Online: May 1, 2017
Kirkus Reviews Issue: May 15, 2017
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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