Luce once contracted to write her autobiography, which she planned to call The Dream of My Life. Morris perceptively reveals...
The second volume in the life of a significant American figure.
By the time she was 40, Clare Boothe Luce (1903-1987) had been an actress, Broadway playwright, war correspondent, managing editor of Vanity Fair and Republican congresswoman from Connecticut. Married to the enormously wealthy publisher Henry Luce (Life, Time, Sports Illustrated et al.), she went on to become the first woman ambassador (to Italy, appointed by Eisenhower) and, after her conversion to Catholicism, author of several books on religion. Luce held political views passionately: A fierce anti-communist, she was equally outspoken in support of civil rights for African-Americans. Morris (Rage for Fame: The Ascent of Clare Booth Luce, 1997, etc.) earned Luce’s trust and access to more than 460,000 items in the restricted Luce Collection at the Library of Congress. Blonde, beautiful and glamorous (Morris includes details about Luce’s sumptuous wardrobe at every occasion), she took many lovers, with a special preference for men in uniform. Her “compulsion to charm” was, writes the author, “a drive more for devotion than sex. She wanted to conquer all comers, even though her interest in them could be short-lived.” And conquer she did: Both men and women succumbed, with the notable exceptions of Harry Truman, who refused to receive her at the White House, and Cyrus Sulzberger, chief foreign correspondent of the New York Times, who “was appalled” by her “arrogant conceit” and “ruthlessly hard-boiled self-assurance.” Luce’s frenzied need to engage in all-consuming work was fueled by a daily round of stimulants and sedatives; she fell into black depressions and paranoia, especially if she felt rejected or ignored. Desperately, she needed to be the center of attention.
Luce once contracted to write her autobiography, which she planned to call The Dream of My Life. Morris perceptively reveals the nightmare in this evenhanded and intimate portrait.Pub Date: June 17, 2014
ISBN: 978-0-679-45711-4
Page Count: 752
Publisher: Random House
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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