by T Kira Madden ‧ RELEASE DATE: March 5, 2019
Affecting, fearless, and unsparingly honest.
An acclaimed essayist’s memoir about finding personal redemption in female friends and lovers after growing up in a wealthy but dysfunctional Florida family.
Born out of wedlock to a white shoe mogul father and a Chinese-Hawaiian ex-model, Madden was a lonely child who longed for “love the size of a fist.” To comfort herself, she wrote stories about an alter ego named Joni Baloney and developed a pen-pal relationship with a 51-year-old man who found her through an ad she had placed in TigerBeat magazine. Her parents began living together, and eventually, Madden's father moved her and her mother from Coconut Grove to Boca Raton. The union granted the author access to privileges that included an exclusive private school education, riding lessons, and horses of her own. However, living with her father also brought her face to face with his alcoholism. The rampages that sometimes resulted often meant brutal beatings for her mother, who developed her own addiction to painkillers. While her parents suffered in an unstable relationship, Madden struggled to find sustaining friendships and love among the drinking, drugging, silver-spoon youths of Boca Raton. For a brief time, she became part of what she calls “the tribe of fatherless girls,” a small group of fierce female outcasts who showed her the affection she lacked at home while unexpectedly stirring queer longings the author did not realize she had. In her late teens, Madden moved to New York City. There, she studied fashion design and pursued lesbian relationships that not only helped her heal, but also face the challenges of losing the father she loved and discovering the older half sister her mother had given up for adoption more than a decade before Madden's birth. Though the author’s aching emotional rawness sometimes makes for difficult reading, this is a deeply courageous work that chronicles one artist’s jagged—and surprisingly beautiful—path to wholeness.
Affecting, fearless, and unsparingly honest.Pub Date: March 5, 2019
ISBN: 978-1-63557-185-1
Page Count: 320
Publisher: Bloomsbury
Review Posted Online: Jan. 5, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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