GHOST HANDS

The ubiquity of the handprint in cave art around the world, and Patagonia in particular, begs unresolved questions about the image’s meaning; Barron’s invented back story posits that healers, warriors and others who contributed to the common good may have been thus memorialized.

Adding to the intrigue in Argentina’s Cueva de las Manos is the appearance of a footprint. Combining suspense with coincidence to imagine what prompted this singularity, Barron offers this tale narrated by a son of the Tehuelche tribe. When Auki begs to go hunting, his father admonishes him to wait: “To hunt you must be strong. And brave—brave enough to face the puma. For the puma, too, is a hunter….” The child sets out alone. Digitally rendered compositions teem with texture and depth. Light and shadow crisscross the cliffs, and loose strokes animate the players. In a dramatic double-page spread, the beast appears, fangs bared, facing the reader and the boy. While fleeing, the protagonist wounds his foot, stumbling upon the secret cave “visited only by elders…and…ghosts.” A climactic scene pitting the savage animal against the aged cave painter portrays Auki’s foot as a weapon—one worthy of record.

 

Pub Date: July 1, 2011

ISBN: 978-0-399-25083-5

Page Count: 40

Publisher: Philomel

Review Posted Online: May 4, 2011

Kirkus Reviews Issue: May 15, 2011

Did you like this book?

No Comments Yet

Both a beautiful celebration of black culture and an excellent first black history book for young children.

BLACK IS A RAINBOW COLOR

A young black child ponders the colors in the rainbow and a crayon box and realizes that while black is not a color in the rainbow, black culture is a rainbow of its own.

In bright paints and collage, Holmes shows the rainbow of black skin tones on each page while Joy’s text describes what “Black is” physically and culturally. It ranges from the concrete, such as “the braids in my best friend’s hair,” to the conceptual: “Black is soft-singing, ‘Hush now, don’t explain’ ”—a reference to the song “Don’t Explain” made popular by Billie Holiday and Nina Simone, the former depicted in full song with her signature camellia and the latter at her piano. Joy alludes throughout the brief text to poetry, music, figures, and events in black history, and several pages of backmatter supply the necessary context for caregivers who need a little extra help explaining them to listeners. Additionally, there is a playlist of songs to accompany reading as well as three poems: “Harlem,” by Langston Hughes, and “We Wear the Mask” and “Sympathy,” by Paul Laurence Dunbar. The author also includes a historical timeline describing some of the names that have been used to describe and label black people in the United States since 1619.

Both a beautiful celebration of black culture and an excellent first black history book for young children. (Picture book. 4-8)

Pub Date: Jan. 14, 2020

ISBN: 978-1-62672-631-4

Page Count: 40

Publisher: Roaring Brook

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

Did you like this book?

No Comments Yet

A life devoted to freedom and dignity, worthy of praise and remembrance.

MUMBET'S DECLARATION OF INDEPENDENCE

With the words of Massachusetts colonial rebels ringing in her ears, a slave determines to win her freedom.

In 1780, Mumbet heard the words of the new Massachusetts constitution, including its declaration of freedom and equality. With the help of a young lawyer, she went to court and the following year, won her freedom, becoming Elizabeth Freeman. Slavery was declared illegal and subsequently outlawed in the state. Woelfle writes with fervor as she describes Mumbet’s life in the household of John Ashley, a rich landowner and businessman who hosted protest meetings against British taxation. His wife was abrasive and abusive, striking out with a coal shovel at a young girl, possibly Mumbet’s daughter. Mumbet deflected the blow and regarded the wound as “her badge of bravery.” Ironically, the lawyer who took her case, Theodore Sedgwick, had attended John Ashley’s meetings. Delinois’ full-bleed paintings are heroic in scale, richly textured and vibrant. Typography becomes part of the page design as the font increases when the text mentions freedom. Another slave in the Ashley household was named in the court case, but Woelfle, keeping her young audience in mind, keeps it simple, wisely focusing on Mumbet.

A life devoted to freedom and dignity, worthy of praise and remembrance. (author’s note, selected bibliography, further reading) (Picture book/biography. 5-8)

Pub Date: Feb. 1, 2014

ISBN: 978-0-7613-6589-1

Page Count: 32

Publisher: Carolrhoda

Review Posted Online: Oct. 9, 2013

Kirkus Reviews Issue: Nov. 1, 2013

Did you like this book?

No Comments Yet
more