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THE GREAT TREE OF AVALON

VOL. I, CHILD OF THE DARK PROPHECY

When they’re written well, classic fantasy motifs give a story richness, archetypal depth, and solid scaffolding—but badly done, they cause only wincing. This wretchedly overwritten, haughty attempt at a Tolkien-like epic buckles under the weight of cliché, repetition, cringe-worthy dialects, images that alternate between overused and downright cryptic, and a world whose geography is mapped but never metaphysically clear. Barron’s touted as an environmentalist, but the environmental philosophy here is no stronger than in much other literature, and often it’s painfully forced: for example, it’s the evil sorcerer who chops down a forest and enslaves animals. If characterizations were better, this would be fine, but they’re not. A prophecy from long ago sets a ragged band of travelers on a quest. A Dark Child born 17 years ago is destined to cause the end of Avalon, and someone is the true heir of Merlin. Who? Who cares? (map, history of Avalon) (Fantasy. 10+)

Pub Date: Oct. 1, 2004

ISBN: 0-399-23763-1

Page Count: 432

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2004

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VERITY VOX AND THE CURSE OF FOXFIRE

A sweet if muddled tale of the magic of Appalachia.

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A teenage witch goes up against the evil king of the mountain to save a cursed village.

Witch-in-training Verity Vox has spent a year apiece in different villages, helping in any way she can as she learns her art. When it’s time to move on, she receives a sign that shows her where to go next. When the latest sign appears in the form of a note begging for help that floats down on a leaf, she’s eager for the challenge. Verity winds up in Foxfire, a village in the Appalachian mountains that’s been magically cut off from the rest of the world for years, leaving its people close to starvation. The root of their suffering is a man they know as Earl, who lives in the hills and strikes deals with the townspeople that ultimately cause crops to wither, folks to disappear, and the only bridge out of the valley to crumble. Verity is determined to change the villagers’ fortunes, but to do so she’ll have to face off against not just Earl but the ancient power of the mountains itself. Loosely based on the Germanic Erlking legend and told in a voice reminiscent of folktales, the story features a queer romance and a cast that presents white. The convoluted magic system undercuts the strong themes of reciprocity, poverty, and privilege, but Appalachian readers will instantly recognize home.

A sweet if muddled tale of the magic of Appalachia. (Fantasy. 13-18)

Pub Date: Aug. 5, 2025

ISBN: 9798890032706

Page Count: 336

Publisher: Page Street

Review Posted Online: May 30, 2025

Kirkus Reviews Issue: July 1, 2025

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THE GIVER

From the Giver Quartet series , Vol. 1

Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...

In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.

As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.

Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)

Pub Date: April 1, 1993

ISBN: 978-0-395-64566-6

Page Count: 208

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1993

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