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CHOPIN IN PARIS

THE LIFE AND TIMES OF THE ROMANTIC COMPOSER

Emphasizing Chopin’s life and times rather than his music, Szulc’s biography situates the composer and pianist extraordinaire within the circles of European artists, writers, and others who created the Romantic era. Award-winning journalist Szulc’s (The Secret Alliance, 1991, etc.) exploration of Chopin’s character focuses on the 18 years he spent in Paris. He sets his inquiry into the broader framework of Chopin’s times, stressing the unique environment of budding Romanticism that the musician discovered when he eached Paris. This account is divided into three chronological sections, rather romantically labeled “Andante,” “Rondo,” and “Coda.” The first serves as an introduction to Chopin’s Polish-French background and the process by which he effected dramatic entry into French society. Szulc discusses the nature of Chopin’s poor physical health and his questionable mental health, foreshadowing the mental crises and debilitating consumption that marked the last years of his short life. Next Szulc turns to the other two “protagonists” of this biography: the Age of Romanticism and George Sand. Chopin’s famed seven-year affair with Sand is the stuff of legend, and Szulc admirably brings the two fascinating personalities to life through citations from letters and other biographers. Sand’s forceful personality electrifies these pages and almost threatens to overwhelm the enigmatic and far more subtle Chopin. More problematic is Szulc’s presentation of Chopin’s milieu. His declaration that European Romanticism represented a unique and unprecedented merging of art and politics lacks clarity, as the politics of the moment are only superficially explained. His attempt to set Chopin within the Romantic movement isn’t much helped by his prose, which intermittently exhibits a highly romantic (and somewhat awkward) tone. Despite stylistic weaknesses, Szulc’s book offers a readable account of the most creative period of Chopin’s life and of the many geniuses he rubbed shoulders with. He also gives a particularly fine impression of the startling effect that Chopin the pianist had upon his listeners. (16 pages b&w photos, not seen) (Author tour)

Pub Date: April 1, 1998

ISBN: 0-684-82458-2

Page Count: 426

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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