Though these and other bleak reflections on fundamentalist society remain as legacy, the stilling of Djaout’s humanist voice...
Prize-winning novelist and poet Djaout was assassinated in 1993 by Islamic fundamentalists in his native Algeria, leaving this very short novel, a painful rumination on the death of the spirit in a repressive society, among his papers.
Boualem has already suffered much under the new theocratic regime of his stricken homeland, something he knows only too well even as he drives along the sea hoping that a member of the ruling Vigilant Brothers won’t pull him over for some impious infraction. A bookseller, he has had to allow the offerings in his store to be removed from public view, and he’s seen his clientele dwindle to a determined but furtive single customer. A devoted family man, he also has had to accept the defection of his wife and grown children, who are more willing than he is to embrace the new national order and its offers of temporal and everlasting rewards. But in spite of these blows to his sense of identity, Boualem persists, believing that his passive defense of the material contained in his books is necessary to keep hope for change alive. Even when he is cursed and stoned by children in the neighborhood, he carries on, consoling himself with his reading and with remembrances of his own children in happier times. The arrival of a threatening letter, however, marks a tightening of the noose around him. Followed swiftly by even more threatening phone calls, Boualem receives the final blow when he goes to his store one day and finds that it and its contents have been confiscated. He can do nothing now but ponder his future—without consolation.
Though these and other bleak reflections on fundamentalist society remain as legacy, the stilling of Djaout’s humanist voice is a loss to the larger literary world as much as to his embattled homeland.Pub Date: Oct. 1, 2001
ISBN: 1-886913-50-1
Page Count: 160
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2001
BOOK REVIEW
In her depictions of her characters and their worlds—both internal and external—Tokarczuk has created something entirely new.
A series of deaths mystifies a small Polish village.
When her neighbor Big Foot turns up dead one night, Janina Duszejko and another neighbor, Oddball, rush to his house to lay out the body and properly dress him. They’re having trouble getting hold of the police, and, as Oddball points out, “He’ll be stiff as a board before they get here.” Janina and Oddball—and Big Foot, up till now—live in an out-of-the-way Polish village on the Czech border. It’s rural, and remote, and most of the other inhabitants are part-time city-dwellers who only show up in the summer, when the weather is more temperate. Janina narrates Tokarczuk’s (Flights, 2018) latest creation to appear in English. But she wouldn’t like to hear herself referred to by that name, which she thinks is “scandalously wrong and unfair.” In fact, she explains, “I try my best never to use first names and surnames, but prefer epithets that come to mind of their own accord the first time I see a Person”—hence “Oddball” and “Big Foot.” Janina spends much of her time studying astrology and, on Fridays, translating passages of Blake with former pupil Dizzy, who comes to visit. But after Big Foot dies, other bodies start turning up, and Janina and her neighbors are drawn further and further into the mystery of their deaths. Some of the newly dead were involved in illegal activities, but Janina is convinced that “Animals” (she favors a Blakean style of capitalization) are responsible. Tokarczuk’s novel is a riot of quirkiness and eccentricity, and the mood of the book, which shifts from droll humor to melancholy to gentle vulnerability, is unclassifiable—and just right. Tokarczuk’s mercurial prose seems capable of just about anything. Like the prizewinning Flights, this novel resists the easy conventions of the contemporary work of fiction.
In her depictions of her characters and their worlds—both internal and external—Tokarczuk has created something entirely new.Pub Date: Aug. 13, 2019
ISBN: 978-0-525-54133-2
Page Count: 288
Publisher: Riverhead
Review Posted Online: May 26, 2019
Kirkus Reviews Issue: June 15, 2019
A short, elegant tale about female desire and societal expectations.
An aspiring writer finds a way to live the life she’s always wanted.
In A Room of One’s Own, Virginia Woolf wrote that “a woman must have money and a room of her own if she is to write fiction”—and that sentiment echoes through Cain’s (Creature, 2013, etc.) debut novel. The protagonist, Vitória, a young and bright museum cleaning woman, spends her days dreaming about writing. In the moments between scrubbing toilets and floors, she writes descriptions of paintings and notices the world around her. Soon she is plucked from her life by a rich husband and placed into another. Her new life is complete with a large house, a personal study, and a maid, who serves as a constant reminder of her own upward social mobility. Despite her good fortune, Vitória is unhappy. At one point, Vitória wonders about her good luck and how she was “saved” from a wholly different life. She writes about a glue factory where women work and horses are sacrificed: “We should memorialize the horses, remember them truthfully, and the women who have to spend their days in that way....I have benefited from a woman who never stops working, walking back from the factory in the morning and the night.” She recognizes the sacrifices women make and, more importantly, the ones she no longer has to make. Deeply rooted in the literary tradition, the novel inconspicuously references works like Jean Rhys’ Wide Sargasso Sea and Octavia Butler’s Kindred and explores themes like class and gender. With its short, spare sentences, Cain’s writing seems simple on the surface—but it is deeply observant of the human condition, female friendships, and art.
A short, elegant tale about female desire and societal expectations.Pub Date: Feb. 11, 2020
ISBN: 978-0-374-14837-9
Page Count: 176
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 27, 2019
Kirkus Reviews Issue: Nov. 15, 2019
BOOK REVIEW
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