Throughout the novel’s extremes of violence and tragedy, Anam always allows the ultimate humanity of the characters to shine...
In the free-standing second installment of her planned trilogy about Bangladesh, Anam (A Golden Age, 2008) transfers her focus from a mother who sacrificed so much before and during the war for national independence to her children, grown and at odds in the revolution’s painful aftermath.
The narration shifts between the mid-1980s, when disillusioned Bangladeshis find themselves under the rule of a corrupt dictatorship, and the ’70s, when the war has just ended. In the ’70s, Maya, studying medicine, is first stupefied, then enraged by the changes in her brother Sohail. Her protector as a child, then a socialist intellectual and heroic soldier, Sohail gradually withdraws into narrow religious faith. The philosophically opposed siblings goad each other until Maya leaves. In 1984, after seven years away, Maya returns to her mother’s home from the rural community where she’s been practicing medicine. Sohail, now a religious leader with a growing following, has become even more entrenched and inflexible. Although his wife has recently died, he is too busy tending to his devotees to pay attention to his small son Zaid. Neither in the ’70s nor ’80s does Maya know or understand what Sohail experienced as a soldier that has made the safety of rigid belief so attractive. But when her mother becomes seriously ill, Maya herself finds solace, however short-lived, in praying with the cloistered women devoted to Sohail. At the same time, she is drawn to political activism and to Sohail’s seemingly cynical old friend Joy, who has spent time in the United States. And she is intermittently concerned about Zaid, a troubled child starving for affection. Then Sohail, genuinely concerned in his own misguided fashion, decides to send Zaid away to a fundamentalist madrassa. Even after the crisis that ensues, Sohail remains more than a scary fundamentalist while Maya finds a way to recover from her own mistakes.
Throughout the novel’s extremes of violence and tragedy, Anam always allows the ultimate humanity of the characters to shine through.Pub Date: Aug. 2, 2011
ISBN: 978-0-06-147876-5
Page Count: 304
Publisher: HarperCollins
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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