Introverted, clotted, short of narrative drive and, above all, unconvincing, this sensitive but obsessive family...

GHANA MUST GO

The bonds of love, loss and misunderstanding connecting an African family are exhaustively dissected in a convoluted first novel.

The death of Kweku Sai, a noted surgeon, in the garden of his home in Accra, Ghana, on page one is followed by an impressionistic account of his life—glimpses of childhood and parenthood, moments of shame and bad decisions, regrets, ironies and final thoughts. One central event was the breakup of Kweku’s marriage to Fola and separation from his four children: Olu, twins Taiwo and Kehinde and youngest Sadie. The remainder of the book follows the impact of the patriarch’s death on this group, which assembles for the funeral. Olu, now half of a Boston-based “golden couple,” doesn’t believe in family. Taiwo is still in therapy after her high-profile student affair with the dean of law. Artist Kehinde, hiding in Brooklyn, yearns shamefully for his sister. And anxious Sadie is bulimic and withdrawn. This complicated cast is matched by Selasi’s taste for fragmented, overloaded sentences: “That still farther, past ‘free,’ there lay ‘loved,’ in her laughter, lay ‘home’ in her touch, in the soft of her Afro?” More secrets, wounds and identity crises are rehashed in Africa, until the scattering of the ashes restores some unity.

Introverted, clotted, short of narrative drive and, above all, unconvincing, this sensitive but obsessive family anatomization will test the patience of many readers.

Pub Date: March 12, 2013

ISBN: 978-1-59420-449-4

Page Count: 336

Publisher: Penguin Press

Review Posted Online: Dec. 17, 2012

Kirkus Reviews Issue: Jan. 1, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

BAREFOOT

Privileged 30-somethings hide from their woes in Nantucket.

Hilderbrand’s saga follows the lives of Melanie, Brenda and Vicki. Vicki, alpha mom and perfect wife, is battling late-stage lung cancer and, in an uncharacteristically flaky moment, opts for chemotherapy at the beach. Vicki shares ownership of a tiny Nantucket cottage with her younger sister Brenda. Brenda, a literature professor, tags along for the summer, partly out of familial duty, partly because she’s fleeing the fallout from her illicit affair with a student. As for Melanie, she gets a last minute invite from Vicki, after Melanie confides that Melanie’s husband is having an affair. Between Melanie and Brenda, Vicki feels her two young boys should have adequate supervision, but a disastrous first day on the island forces the trio to source some outside help. Enter Josh, the adorable and affable local who is hired to tend to the boys. On break from college, Josh learns about the pitfalls of mature love as he falls for the beauties in the snug abode. Josh likes beer, analysis-free relationships and hot older women. In a word, he’s believable. In addition to a healthy dose of testosterone, the novel is balanced by powerful descriptions of Vicki’s bond with her two boys. Emotions run high as she prepares for death.

Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

Pub Date: July 2, 2007

ISBN: 978-0-316-01858-6

Page Count: 352

Publisher: Little, Brown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2007

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