A sensitive portrait of the man who has everything and nothing, from the pseudonymous prize-winning Japanese author Tsujii—a tale enriched by the insights gained from the writer's other career as founder and CEO of a giant conglomerate, which includes the Inter-Continental Hotel chain. Rereading Pascal's PensÇes has only further reminded the middle-aged narrator, Junzo, of the difficulty of resolving problems with the clarity ``one brings to bear on solving a geometrical problem.'' Alienated from his colleagues, worried by his disintegrating family, Junzo is also aware of his own inadequacies, especially in his marriage, and his youthful attempts at left-wing rebellion that failed so humiliatingly. Founder and CEO of the Maruwa Department Stores, Junzo, divorced and without children, has been as successful a businessman as his despotic and womanizing father, a self-made man, who came from a small village to found a real-estate empire. As he deals with routine matters of business and pressing family problems, Junzo recalls the events and his own responses that have led him to feel that ``What was clear was that someone had to act as a core around whom everyone could gather. And it was also clear that in reality I neither wanted nor was able to be that core.'' His divorced sister, Kumiko, who had moved to France to get away from the family, has been accused of tax fraud; his nephew, for whom he is responsible, is deeply troubled; his longtime lover has told him that she wants to end the affair because he's ``not any good at making a woman happy''; and though his business prospers, its success means little to him. All it provides is a reason to move away from the abyss and into the spring day that's ``waiting for me to walk through.'' Frequently claustrophobic introspection—but relieved by fine writing and evocative details about corporate life that give a familiar theme a refreshing lift. A distinctive debut.
Pub Date: April 1, 1992
ISBN: 4-770-01550-X
Page Count: 272
Publisher: Kodansha
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1992
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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PERSPECTIVES
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