How to find pleasure and fault here and there about the city, delineated with a pleasingly naked candor.
From novelist Janowitz (Peyton Amberg, 2003, etc.): an uneven but not unappealing collection of short nonfiction written primarily for magazines.
The 78 pieces included here are all over the map—mostly the map of New York City, though the author takes a couple of side excursions, such as her trip to China to pick up her adopted daughter. Janowitz is ready to tackle almost any topic in her trademark prickly, deadpan manner; strangely, that very flatness gives these articles their life. Chronicling everyday travails is her strong suit. She can grouse with the best of them, noting indignantly that despite being tempted at every corner by a fabulous restaurant, “the modern New York woman is expected to have the same shape as that of a really tough villager who lives in a primitive place and spends the day hunting and gathering.” She can explain what it’s like to live with a dog that gets depressed after losing a fight, and she can make her ferret-fixation scarily palpable: “I thought I had to smell a ferret or I would go mad. It was even worse than the six months or so that I obsessed with eating sand.” Some of the pieces are too short, most notably a narrative about being “raped” by butterflies, intertwined with the story of a horrible traffic accident she’s involved in. That’s a piece that cries out for more detail. A surfeit of material bemoans Janowitz’s failures in dress, hairstyle, and comportment, and she works the jaded angle awfully hard. (On her mothering abilities: “It wasn’t that I didn’t love being with her—I did, for up to fifteen minutes at a time.”) The highlight here is an overarching portrait of her home borough, Brooklyn, so sensitive that it’s hard to believe she ever lived in Manhattan.
How to find pleasure and fault here and there about the city, delineated with a pleasingly naked candor.Pub Date: Dec. 1, 2004
ISBN: 0-312-32062-0
Page Count: 368
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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