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BY THE SHORES OF GITCHEE GUMEE

A fifth novel from downtown doyenne Janowitz (The Male Cross- Dresser Support Group, 1992, etc.), who seems not to realize that satire, while it may be absurd, must first of all be funny. The depiction of some ``scene'' (usually urban, hip, and deracinated) has been the obsessive concern of Janowitz's work to date—to such an unrelenting degree that she has herself become a byword for the slacker demimonde that flourished in the East Village during the Reagan and Bush years. Now that history has moved on, Janowitz attempts to broaden her perspective by taking a road trip with Evangeline Slivenowicz and her five children. The Slivenowiczes live in a trailer in upstate New York, where Evangeline seduces hapless men to make ends meet and warns her daughters that ``You mustn't judge men by the same standards as women. They don't have any standards.'' One of these boyfriends proves the point by going berserk and holding half the village hostage in the library until the FBI intervenes and provokes a miniature bloodbath. The resulting embarrassment, plus the accidental loss of the Slivenowicz trailer beneath the waters of Lake Gitchee Gumee, convinces Evangeline that a change of scenery is in order, and all set out for California to help Evangeline's son Pierce break into pictures. Meanwhile, Evangeline and her daughters allow themselves to be serviced with greater frequency than their car seems to be, while the sons sulk about their paternity and work Longfellow into most of their sentences. A deranged English lord, an undersexed policeman, several delivery men, and a vacuum cleaner salesman are some of the new friends they pick up along the way, which runs along an uneven line from the Adirondacks to Key West to the desert and on to the Pacific. Tedious, clumsy, and overdone. Janowitz, in giving us her usual freak show, misses the essential element of satire— credibility. (Author tour)

Pub Date: Sept. 1, 1996

ISBN: 0-517-70298-3

Page Count: 304

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1996

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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