A fifth novel from downtown doyenne Janowitz (The Male Cross- Dresser Support Group, 1992, etc.), who seems not to realize that satire, while it may be absurd, must first of all be funny. The depiction of some ``scene'' (usually urban, hip, and deracinated) has been the obsessive concern of Janowitz's work to date—to such an unrelenting degree that she has herself become a byword for the slacker demimonde that flourished in the East Village during the Reagan and Bush years. Now that history has moved on, Janowitz attempts to broaden her perspective by taking a road trip with Evangeline Slivenowicz and her five children. The Slivenowiczes live in a trailer in upstate New York, where Evangeline seduces hapless men to make ends meet and warns her daughters that ``You mustn't judge men by the same standards as women. They don't have any standards.'' One of these boyfriends proves the point by going berserk and holding half the village hostage in the library until the FBI intervenes and provokes a miniature bloodbath. The resulting embarrassment, plus the accidental loss of the Slivenowicz trailer beneath the waters of Lake Gitchee Gumee, convinces Evangeline that a change of scenery is in order, and all set out for California to help Evangeline's son Pierce break into pictures. Meanwhile, Evangeline and her daughters allow themselves to be serviced with greater frequency than their car seems to be, while the sons sulk about their paternity and work Longfellow into most of their sentences. A deranged English lord, an undersexed policeman, several delivery men, and a vacuum cleaner salesman are some of the new friends they pick up along the way, which runs along an uneven line from the Adirondacks to Key West to the desert and on to the Pacific. Tedious, clumsy, and overdone. Janowitz, in giving us her usual freak show, misses the essential element of satire— credibility. (Author tour)
Pub Date: Sept. 1, 1996
ISBN: 0-517-70298-3
Page Count: 304
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1996
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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