My Soul to Keep is already underway as a film, and probably as a series. Clearly Due plans a third volume, focused most...
Due follows The Black Rose (2000), a novel written from Alex Haley's posthumous notes, with this sequel to her gripping My Soul to Keep (1997).
Miami reporter Jessica Jacobs, married to David Wolde for six years, doesn't know that he's actually over 500 years old, having fathered many families and watched them die. David belongs to The Immortals, ruled by Khaldun, who since drinking the blood of Christ has gathered The Immortals about him by transfusing his blood into theirs. Only David knows Khaldun's secret ritual, which must accompany such a transfusion to promote not just relief from all illnesses but immortality as well. David disappears, shot dead by the police, but then rises from the Miami morgue and goes his way, leaving Jessica, whom he's made immortal, and their three-year-old daughter Beatrice behind. Beatrice has fantastic gifts. After drowning in a bathtub, she too rises from the dead, reborn as Fana at the behest of Khaldun, with whom she has a telepathic tie. At the same time, Jessica and her physician sister Alexis have gone to South Africa to set up a clinic where a serum made from Jessica's blood cures terminal illnesses among many children. Then the sisters try to hide out in Botswana. But their new clinic also becomes swamped. Meanwhile, a black market arises in the famous blood drawn from children Jessica cured. And Khaldun and The Immortals oppose Jessica's meddling with immortality. Will Jessica persuade The Immortals that The Living Blood can be used for the greater good of mankind? Will David return and help her?
My Soul to Keep is already underway as a film, and probably as a series. Clearly Due plans a third volume, focused most likely on Fana. This installment is enriched by its large cast of appealing characters tied by blood, and by its author's abiding humanity.Pub Date: April 10, 2001
ISBN: 0-671-04083-9
Page Count: 518
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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