An engaging blend of personal narrative and the meaning of “monsters” within the horror genre.
A penetrating series of personal essays from a writer and visual artist.
Growing up as a multiracial, fat, and queer person in Singapore, De Rozario, author of And the Walls Come Tumbling Down and Tender Delirium, has long experience with exclusion. In school, she was enrolled in a mandatory weight-loss program; at home, her mother staged an exorcism to drive the queerness out of her tween body. “Everything in which she staunchly believed—thinness, heterosexuality, god—I wholeheartedly rejected,” writes the author. Readers will be impressed by her stoicism and hard-won wisdom. Though De Rozario tempers her rejection by mainstream society and her family with an irrepressible spirit and resilience, she doesn’t sugarcoat her challenges. A memorable thread throughout is her adult reckoning with her birth country and family as an expat. Her deceased mother, in particular, is a poignant point of examination, with the author revisiting in intimate detail her mother’s difficult parenting, formative memories that still inform who she is today. “Obviously, we cannot take our pasts with us,” she writes. “Somehow, this is both gain and loss.” The dual tones of heartbreak and relief provide ample backdrop for her investigation of her past self. Interwoven with this personal material are focused, incisive cultural analyses of women in the horror genre. De Rozario discusses classic films such as Ringu, The Exorcist, and Carrie, alongside explorations of the horrors of being a young girl rejected by society. The weight of the author’s cultural criticism works to deepen the personal narrative, and the author ties those aspects together in a way that feels both natural and compelling. This simultaneously lucid and experimental text will appeal to those seeking a memoir that scratches a layer deeper than expected. Thematically and stylistically, this is a book with resonance.
An engaging blend of personal narrative and the meaning of “monsters” within the horror genre.Pub Date: Feb. 6, 2024
ISBN: 9780063299665
Page Count: 192
Publisher: Harper Perennial/HarperCollins
Review Posted Online: Nov. 11, 2023
Kirkus Reviews Issue: Dec. 15, 2023
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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