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THE BOOK OF THE DEAD

THE SECRET BOOKS OF PARADYS III

Third of Lee's hitherto impressive Secret Books of Paradys: eight odd tales set in a forgotten French city where magic works and horrid things lurk in dark corners. Here, alas, the atmospheric backdrop of dread and sexual tension has gone missing, leaving only a few ghoulish scraps. Even more sadly, the stories vary widely in quality—indeed some are structurally perfunctory, held together only by Lee's still rich, evocative, limpid prose. The absence of a unifying theme doesn't help. Thus: a vagina with teeth; voodoo; a Typhoid Mary variant; a curse exposed as mere superstition; a supernatural conjuror; and, in a somewhat more satisfying vein, an intriguing Lost World variant, a vengeful woman artist, and a vampire-harpy betrayed by her lover. Slight and disappointingly mediocre fare after splendid work (The Book of the Beast, 1991) last time out.

Pub Date: March 13, 1992

ISBN: 0-87951-440-X

Page Count: 228

Publisher: Overlook

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1992

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A MAN CALLED OVE

In the contest of Most Winning Combination, it would be hard to beat grumpy Ove and his hidden, generous heart.

Originally published in Sweden, this charming debut novel by Backman should find a ready audience with English-language readers.

The book opens helpfully with the following characterizations about its protagonist: “Ove is fifty-nine. He drives a Saab. He’s the kind of man who points at people he doesn’t like the look of, as if they were burglars and his forefinger a policeman’s torch.” What the book takes its time revealing is that this dyed-in-the-wool curmudgeon has a heart of solid gold. Readers will see the basic setup coming a mile away, but Backman does a crafty job revealing the full vein of precious metal beneath Ove’s ribs, glint by glint. Ove’s history trickles out in alternating chapters—a bleak set of circumstances that smacks an honorable, hardworking boy around time and again, proving that, even by early adulthood, he comes by his grumpy nature honestly. It’s a woman who turns his life around the first time: sweet and lively Sonja, who becomes his wife and balances his pessimism with optimism and warmth. By 59, he's in a place of despair yet again, and it’s a woman who turns him around a second time: spirited, knowing Parvaneh, who moves with her husband and children into the terraced house next door and forces Ove to engage with the world. The back story chapters have a simple, fablelike quality, while the current-day chapters are episodic and, at times, hysterically funny. In both instances, the narration can veer toward the preachy or overly pat, but wry descriptions, excellent pacing and the juxtaposition of Ove’s attitude with his deeds add plenty of punch to balance out any pathos.

In the contest of Most Winning Combination, it would be hard to beat grumpy Ove and his hidden, generous heart.

Pub Date: July 15, 2014

ISBN: 978-1-4767-3801-7

Page Count: 352

Publisher: Atria

Review Posted Online: June 28, 2014

Kirkus Reviews Issue: July 15, 2014

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ANNA KARENINA

Pevear's informative introduction and numerous helpful explanatory notes help make this the essential Anna Karenina.

The husband-and-wife team who have given us refreshing English versions of Dostoevsky, Gogol, and Chekhov now present their lucid translation of Tolstoy's panoramic tale of adultery and society: a masterwork that may well be the greatest realistic novel ever written. It's a beautifully structured fiction, which contrasts the aristocratic world of two prominent families with the ideal utopian one dreamed by earnest Konstantin Levin (a virtual self-portrait). The characters of the enchanting Anna (a descendant of Flaubert's Emma Bovary and Fontane's Effi Briest, and forerunner of countless later literary heroines), the lover (Vronsky) who proves worthy of her indiscretion, her bloodless husband Karenin and ingenuous epicurean brother Stiva, among many others, are quite literally unforgettable. Perhaps the greatest virtue of this splendid translation is the skill with which it distinguishes the accents of Anna's romantic egoism from the spare narrative clarity with which a vast spectrum of Russian life is vividly portrayed.

Pevear's informative introduction and numerous helpful explanatory notes help make this the essential Anna Karenina.

Pub Date: Feb. 1, 2001

ISBN: 0-670-89478-8

Page Count: 864

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2001

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