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LEAVE OF ABSENCE

A heartrending, realistic story about grief, depression and schizophrenia that finds positivity in the darkest of moments.

Awards & Accolades

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Following the untimely death of his wife and son and a failed suicide attempt, a grief-stricken father is admitted to a psychiatric hospital where he struggles to find renewed hope and meaning in life.

Peterson’s touching second novel (Losing Elizabeth, 2012) begins with a dramatic fall. The one thing that Oliver Graham wants in life is to die. Stepping from the ledge of an 18-story building in downtown Chicago, he plummets toward the sidewalk, taking with him the police officer who was attempting to talk him down. The crowd of onlookers watches both men crash safely into an inflatable landing pad before Oliver is handcuffed and taken to an institution the book calls Airhaven Behavioral Health Center. He meets Penelope, a fellow patient who experiences auditory hallucinations. Penelope refers to the voice as Eleanor Roosevelt, which controls, demeans and beleaguers her on a daily basis. Oliver and Penelope both find their situations to be hopeless; that is, until they begin to relate to and encourage one another. Penelope’s fiance, William, is at first jealous of Oliver, but comes to recognize the therapeutic benefits that spring from their friendship. Meanwhile, William must fend off the advances of his attractive new neighbor, Mariska, and steel himself against his best friend’s suggestion that Penelope is a lost cause. The novel charts the emotional setbacks and triumphs of both patient and caregiver as Oliver and Penelope move toward their release from the institution. The author, a certified counselor, emphasizes the importance of human connection and creative endeavor in group therapy as a stimulus for recovery. Peterson succeeds in demystifying the world of psychiatric care and challenging the stigma that continues to surround mental health. A protracted and soapy melodramatic denouement sadly contradicts the book’s measured, sensitive tone, but this flawed ending cannot detract from the fact that this novel will offer hope to many of its readers.

A heartrending, realistic story about grief, depression and schizophrenia that finds positivity in the darkest of moments.

Pub Date: May 6, 2013

ISBN: 978-1-59299-883-8

Page Count: 334

Publisher: Inkwater Press

Review Posted Online: March 12, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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