by Tanya J. Peterson ‧ RELEASE DATE: May 6, 2013
A heartrending, realistic story about grief, depression and schizophrenia that finds positivity in the darkest of moments.
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Following the untimely death of his wife and son and a failed suicide attempt, a grief-stricken father is admitted to a psychiatric hospital where he struggles to find renewed hope and meaning in life.
Peterson’s touching second novel (Losing Elizabeth, 2012) begins with a dramatic fall. The one thing that Oliver Graham wants in life is to die. Stepping from the ledge of an 18-story building in downtown Chicago, he plummets toward the sidewalk, taking with him the police officer who was attempting to talk him down. The crowd of onlookers watches both men crash safely into an inflatable landing pad before Oliver is handcuffed and taken to an institution the book calls Airhaven Behavioral Health Center. He meets Penelope, a fellow patient who experiences auditory hallucinations. Penelope refers to the voice as Eleanor Roosevelt, which controls, demeans and beleaguers her on a daily basis. Oliver and Penelope both find their situations to be hopeless; that is, until they begin to relate to and encourage one another. Penelope’s fiance, William, is at first jealous of Oliver, but comes to recognize the therapeutic benefits that spring from their friendship. Meanwhile, William must fend off the advances of his attractive new neighbor, Mariska, and steel himself against his best friend’s suggestion that Penelope is a lost cause. The novel charts the emotional setbacks and triumphs of both patient and caregiver as Oliver and Penelope move toward their release from the institution. The author, a certified counselor, emphasizes the importance of human connection and creative endeavor in group therapy as a stimulus for recovery. Peterson succeeds in demystifying the world of psychiatric care and challenging the stigma that continues to surround mental health. A protracted and soapy melodramatic denouement sadly contradicts the book’s measured, sensitive tone, but this flawed ending cannot detract from the fact that this novel will offer hope to many of its readers.
A heartrending, realistic story about grief, depression and schizophrenia that finds positivity in the darkest of moments.Pub Date: May 6, 2013
ISBN: 978-1-59299-883-8
Page Count: 334
Publisher: Inkwater Press
Review Posted Online: March 12, 2013
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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