A raw, powerful voice breathes fresh air into traditional Inuit folklore to create a modern tale of mythological proportions.
This debut from acclaimed Inuit throat singer Tagaq (her album “Animism” won the 2014 Polaris Music Prize) is a shamanic coming-of-age journey through a haunted and mystical Arctic landscape.
In 1975, a fierce and tomboyish 11-year-old Inuit girl growing up in the northern Canadian territory of Nunavut discovers her shamanic powers at the onset of puberty. Wielding words as sharp as shale rocks and ice, Tagaq narrates the story from the unnamed girl’s perspective with poems woven in between prose vignettes. In “The First Time it Happened,” the girl describes the experience of falling into a trance, being attacked by a supernatural being, and the sensation of her “spirit self” leaving her body. Despite the threat of possession, she says, “I am not afraid, only curious. I don’t feel like prey. I too am a predator.” This empowering initiatory experience is the catalyst for a series of bizarre and delicious excursions into the spirit world which occur throughout her teen years. Her astral flights are a reclaiming of her spiritual heritage and the “shaman’s way” as well as a means of escape from the drunks at home, school bullies, and the roving hands of her teacher. Her animistic view of the universe helps her cope with these everyday problems in terms of spiritual warfare. Sometimes the narrator’s voice shifts to philosophical musings and words of wisdom that may seem far beyond the years of a teenager. When speaking of the rampant alcoholism in her family, she says, “There are evil beings in the room near the ceiling waiting to take over the drunken bodies, Grudges and Frustrations slobbering at the chance to return to human form, to violate, to kill, to fornicate.” Finding solace in nature, she sings to the sky, and it is beneath the eerie green glow of the northern lights that she conceives with a mysterious celestial lover and is irrevocably transformed.
A raw, powerful voice breathes fresh air into traditional Inuit folklore to create a modern tale of mythological proportions.Pub Date: Sept. 25, 2018
ISBN: 978-0-670-07009-1
Page Count: 208
Publisher: Viking
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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