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I USED TO BE FAMOUS

The pair are as cute as they are memorable.

The spotlight gets crowded when this cheeky, young, self-proclaimed starlet must share the attention with her new sister.

Kiely is the star of every show. She has all of the hallmarks of a celebutante: a personal shopper, a superb biography, and a (chalk-drawn) star on the sidewalk. But with a new celebrity in town holding everyone’s attention, Kiely wonders how the latest addition to the family can have more star power than she does. The new baby can’t act, dance, or sing, she has no fashion sense, and she smells like poo. Kiely decides to work on her act and her look and even tries to force a new audience, but ultimately she still must share her mother’s attention with the new addition to the family. But just as she resigns herself to obscurity, she realizes that she has a new fan. Together, Kiely and her new co-star, Abby, realize that they can share their paparazzi. This clever exploration of the mixed emotions of welcoming a new baby into a family is sure to elicit more than a few laughs from the divas accustomed to having all the attention. With swift, assured lines and warm colors, the illustrations are full of fun and motion. Kiely, the brown-skinned, curly-haired protagonist, has more than enough sass and sparkle to spare, as her doting extended black family knows.

The pair are as cute as they are memorable. (Picture book. 4-8)

Pub Date: April 1, 2019

ISBN: 978-0-8075-3443-4

Page Count: 32

Publisher: Whitman

Review Posted Online: Feb. 5, 2019

Kirkus Reviews Issue: March 1, 2019

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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LITTLE MELBA AND HER BIG TROMBONE

Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)

Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.

Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.

Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)

Pub Date: July 1, 2014

ISBN: 978-1-60060-898-8

Page Count: 40

Publisher: Lee & Low Books

Review Posted Online: June 3, 2014

Kirkus Reviews Issue: June 15, 2014

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