by Tara Lynn Masih ‧ RELEASE DATE: Sept. 13, 2022
Luminous tales set in evocative environments that explore how remarkable people can fade away.
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This fiction collection, centered on the theme of disappearance, is international in scope and examines complex emotional relationships.
Made up of short stories and a novella, this volume travels around the globe, from the American Southwest to a Puerto Rican beach town and the Siberian taiga. Exploring the inner thoughts of those who lead private lives, the haunting “What You Can’t See in the Picture” is about a photo/video analyst with a police department who helps track down a kidnapper. “Fleeing Gravity” captures almost the entire life span of a Native American man in the West. The short but satisfying “Agatha: A Life in Unauthorized Fragments” re-creates key moments in Agatha Christie’s life from the mystery writer’s perspective, including the loss of her dream of a music career and her well-known disappearance (“But you have done your job too well, and the only way out, when Archie finds you, is for him to declare you are mentally unwell”). The disappearance motif, which at times is a mere possibility, extends to the Caribbean in “Delight,” in which a Puerto Rican girl, skilled in making confections, longs for the return of an American surfer. The finale is a novella, An Aura Surrounds That Night, a heartfelt yarn about a farm girl who is taken in by a dynamic woman from the South. Masih’s collection is a beautiful and carefully written work that deftly searches below the surface for the personal feelings of the diverse characters and blends them with the oftentimes stunning outside world. Some tales are very short, just a few pages, and those work well on an aesthetic level but don’t have enough substance to be truly striking. More rewarding are the longer stories like “Notes to THE WORLD,” in which a Russian hunter finds an old diary in a cabin that takes him back a century in time.
Luminous tales set in evocative environments that explore how remarkable people can fade away.Pub Date: Sept. 13, 2022
ISBN: 978-1-950413-44-7
Page Count: 164
Publisher: Press 53
Review Posted Online: Oct. 24, 2022
Kirkus Reviews Issue: Dec. 15, 2022
Review Program: Kirkus Indie
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by Paula Hawkins ‧ RELEASE DATE: Oct. 29, 2024
This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.
The discovery that a revered artist’s sculpture contains a human bone sets off scandal and violence.
Art historian James Becker has what seems like a sweet deal. He’s the curator of the collection of the Fairburn Foundation, housed at a stately home owned by the Lennox family: Sebastian, Becker’s best friend, and his bitter mother, Lady Emmeline. Becker’s wife, Helena, was Sebastian’s fiancee first, but they’re all very civilized about it and happily awaiting the birth of her baby. The centerpiece of the Fairburn collection is works by the late Vanessa Chapman, an artist about whom Becker wrote his thesis, and with whom he is somewhat obsessed. Partly, it’s because of her great talent, but she was also a glamorous figure, a beauty who, as she became successful, sequestered herself on an isolated Scottish tidal island called Eris. She had a dark side—lots of stormy relationships, plus a philandering mooch of a husband who vanished without a trace a few decades ago. Her reputation, though, has risen after her death—so much so that the Fairburn has loaned some of her works to the Tate Modern. That’s where a forensic anthropologist sees one of her sculptures, made of found objects that include what’s described as an animal bone. The scientist is sure the bone is human, and soon Becker finds himself scrambling to prevent scandal. Vanessa willed her works and papers to the foundation, but some of them are still on Eris, guarded by her longtime friend Grace Haswell. A retired doctor, Grace lived with Vanessa off and on over the years and nursed her through her fatal cancer. It was a surprise when Vanessa left her estate not to Grace but to Douglas Lennox, Emmeline’s husband and Sebastian’s father. Douglas was Vanessa’s gallerist and lover, but the two had a nasty falling-out. Sebastian is so frustrated by Grace’s refusal to turn over all of the bequest that he’s ready to sue her, but Becker believes he can negotiate, so off to the the island he goes. He finds far more treachery and shocking secrets than he expected, past and present alike. Hawkins keeps her cast tight, her wild setting ominous, and her plot moving fast.
This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.Pub Date: Oct. 29, 2024
ISBN: 9780063396524
Page Count: 320
Publisher: Mariner Books
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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SEEN & HEARD
SEEN & HEARD
by Sally Rooney ‧ RELEASE DATE: Sept. 24, 2024
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
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New York Times Bestseller
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
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