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MY REAL NAME IS HANNA

This peek into the minutiae of life in hiding is transformed from mundane to poignant by the extraordinary circumstances of...

This story of a family of Ukrainian Jews hiding in a cave during the Holocaust was inspired by actual events.

Told in the voice of an older woman looking back as she tells her daughter about her experiences, this is a carefully researched, often moving narrative of one family’s struggle and survival. Teenage Hanna’s family lived an integrated life in a shtetl in an area that was sometimes Polish, sometimes Austrian, and sometimes Ukrainian due to shifting borders. Hanna’s bucolic childhood involved attending school and helping her Christian neighbor decorate pysanky, traditional Easter eggs, while observing Jewish holidays and traditions at home. When Germany invades, the family finds themselves persecuted for their religion and eventually forced into hiding, along with other families, first in remote forest cabins and then for over a year in a series of caves with underground lakes. Hanna’s first-person narration has a nostalgic air, with often detailed descriptions that display the author’s research but detract from the story; at the same time, history is treated as personal, and the larger context of the Holocaust is only suggested. Despite these flaws, this is a moving story of survival and of the compassion of the Christian neighbor and forester who aided the families.

This peek into the minutiae of life in hiding is transformed from mundane to poignant by the extraordinary circumstances of time and place. (historical note) (Historical fiction. 12-15)

Pub Date: Sept. 15, 2018

ISBN: 978-1-942134-51-0

Page Count: 224

Publisher: Mandel Vilar Press

Review Posted Online: June 19, 2018

Kirkus Reviews Issue: July 1, 2018

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THE GIRL OF FIRE AND THORNS

From the Girl of Fire and Thorns series , Vol. 1

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...

Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.

Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.

Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)

Pub Date: Sept. 1, 2011

ISBN: 978-0-06-202648-4

Page Count: 432

Publisher: Greenwillow Books

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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DEAD WEDNESDAY

Characters to love, quips to snort at, insights to ponder: typical Spinelli.

For two teenagers, a small town’s annual cautionary ritual becomes both a life- and a death-changing experience.

On the second Wednesday in June, every eighth grader in Amber Springs, Pennsylvania, gets a black shirt, the name and picture of a teen killed the previous year through reckless behavior—and the silent treatment from everyone in town. Like many of his classmates, shy, self-conscious Robbie “Worm” Tarnauer has been looking forward to Dead Wed as a day for cutting loose rather than sober reflection…until he finds himself talking to a strange girl or, as she would have it, “spectral maiden,” only he can see or touch. Becca Finch is as surprised and confused as Worm, only remembering losing control of her car on an icy slope that past Christmas Eve. But being (or having been, anyway) a more outgoing sort, she sees their encounter as a sign that she’s got a mission. What follows, in a long conversational ramble through town and beyond, is a day at once ordinary yet rich in discovery and self-discovery—not just for Worm, but for Becca too, with a climactic twist that leaves both ready, or readier, for whatever may come next. Spinelli shines at setting a tongue-in-cheek tone for a tale with serious underpinnings, and as in Stargirl (2000), readers will be swept into the relationship that develops between this adolescent odd couple. Characters follow a White default.

Characters to love, quips to snort at, insights to ponder: typical Spinelli. (Fiction. 12-15)

Pub Date: Aug. 3, 2021

ISBN: 978-0-593-30667-3

Page Count: 240

Publisher: Knopf

Review Posted Online: May 31, 2021

Kirkus Reviews Issue: June 15, 2021

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