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BEEN THERE, HAVEN'T DONE THAT

A VIRGIN'S MEMOIR

Imagine going back to college as an adult and reliving those nightlong conversations about relationships, guys, and ``doing it.'' Sounds pretty awful, doesn't it? Now imagine doing the same thing, only this time you're subjected to a monologue by the most insufferably smug and egotistical girl in your class. And worse still, this self-appointed expert in puerile love is a virgin—and proud of the fact—at the ripe old age of 25. What you have then is Tara McCarthy's memoir of life in the slow lane. McCarthy, a columnist for a Rolling Stonelike Irish magazine, hastens to assure her readers that, although she has never actually consummated a physical relationship, she is no prude (heaven forbid!). She likes men and kissing, and of course she's had plenty of opportunities to have sex (she'll tell you about them all with no prodding), because she's very attractive. And did she mention that she graduated Harvard with a high GPA? Although it may seem like a strange criticism, the only thing that marks McCarthy as a virgin is the fact that she hasn't experienced sexual intercourse. Her decision not to have sex stems from a pretty ordinary Catholic upbringing, and while she often questions her choices, she never tackles the issues with any profundity, such as her lack of moral qualms about engaging in heavy petting, or the deeper social and religious implications of premarital intercourse. Instead, she seems more than satisfied with self-indulgent prating and cataloguing her loves, teasing almost-dones, and other standards of young adult fare.

Pub Date: June 17, 1997

ISBN: 0-446-52084-5

Page Count: 224

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1997

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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THE LAST OF THE PRESIDENT'S MEN

Less a sequel than an addendum, the book offers a close-up view of the Oval Office in its darkest hour.

Four decades after Watergate shook America, journalist Woodward (The Price of Politics, 2012, etc.) returns to the scandal to profile Alexander Butterfield, the Richard Nixon aide who revealed the existence of the Oval Office tapes and effectively toppled the presidency.

Of all the candidates to work in the White House, Butterfield was a bizarre choice. He was an Air Force colonel and wanted to serve in Vietnam. By happenstance, his colleague H.R. Haldeman helped Butterfield land a job in the Nixon administration. For three years, Butterfield worked closely with the president, taking on high-level tasks and even supervising the installation of Nixon’s infamous recording system. The writing here is pure Woodward: a visual, dialogue-heavy, blow-by-blow account of Butterfield’s tenure. The author uses his long interviews with Butterfield to re-create detailed scenes, which reveal the petty power plays of America’s most powerful men. Yet the book is a surprisingly funny read. Butterfield is passive, sensitive, and dutiful, the very opposite of Nixon, who lets loose a constant stream of curses, insults, and nonsensical bluster. Years later, Butterfield seems conflicted about his role in such an eccentric presidency. “I’m not trying to be a Boy Scout and tell you I did it because it was the right thing to do,” Butterfield concedes. It is curious to see Woodward revisit an affair that now feels distantly historical, but the author does his best to make the story feel urgent and suspenseful. When Butterfield admitted to the Senate Select Committee that he knew about the listening devices, he felt its significance. “It seemed to Butterfield there was absolute silence and no one moved,” writes Woodward. “They were still and quiet as if they were witnessing a hinge of history slowly swinging open….It was as if a bare 10,000 volt cable was running through the room, and suddenly everyone touched it at once.”

Less a sequel than an addendum, the book offers a close-up view of the Oval Office in its darkest hour.

Pub Date: Oct. 13, 2015

ISBN: 978-1-5011-1644-5

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: Oct. 20, 2015

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