A fashionable Australian private eye finds herself embroiled in a difficult case just after World War II.
As a war correspondent, Billie Walker witnessed some terrible things in Germany and still carries many burdens, including the disappearance of her journalist husband. Back home in Sydney, however, she has returned to full-time work as owner and investigator of a private inquiry agency she inherited from her late father. She even has Sam, a brave and affable secretary-cum-assistant, himself a former soldier. When a woman asks Billie to find her missing teenage son, clues lead to The Dancers, an elite club, and Georges Boucher, owner of an expensive auction house. It seems that an old family photo of a particular necklace is at the heart of the case, but who has taken Adin Brown, and to what end? At the same time, Billie's secret informant Shyla reports on a man in the country who has been mistreating girls. Of course, both cases are related, and the truth behind Adin’s abduction, in a very Dashiell Hammett–like turn of events, involves Nazi war criminals, stolen treasures, and a prostitution ring. Billie is a smart, glamorous, kind, and well-turned-out woman, and her addition to the world of literary private detectives is welcome and deserved. She carries a bit of the hard-boiled tradition on her shoulders—the vulnerability, the brashness—while providing a completely feminine perspective on both the crimes and the approach to crime-solving. Moss clearly did a lot of research for the novel, including a great deal in fashion and sewing, so sometimes the details and descriptions can be lengthier than necessary, but gradually, as the pace picks up, these details serve to help us get to know the characters on multiple levels. The setting feels simultaneously familiar and exotic.
Neatly incorporates history, social commentary, and a satisfying mystery in one appealing package. More, please!Pub Date: May 5, 2020
ISBN: 978-0-593-18265-9
Page Count: 352
Publisher: Dutton
Review Posted Online: March 2, 2020
Kirkus Reviews Issue: March 15, 2020
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Miller makes Homer pertinent to women facing 21st-century monsters.
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 23, 2018
Kirkus Reviews Issue: Feb. 1, 2018
Categories: LITERARY FICTION | HISTORICAL FICTION
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PROFILES
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 23, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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