A short but sweet tale about taking a shot at true love.
Two old friends go from playing house to truly making a home together in this contemporary romance.
One day, Gwen Gallo-Clark gets an unexpected knock at her door: It’s a swarm of reporters asking her about allegations against her Texas congressman husband, Jesse Clark. The rapid-fire questions about embezzlement and an affair with an intern deeply trouble her, although she manages to put on a brave face for the press. Shortly afterward, however, Gwen finds out that Jesse remortgaged their home and withdrew their savings before running off with his mistress, leaving almost nothing for her and their young daughter, Maddie. It’s only due to the kindness of Jesse’s longtime friend attorney Reade Walker that Gwen and Maddie have a place to stay until the end of Maddie’s school year. While spending time with Reade, Gwen begins to remember just how much she enjoys his company—and how attractive he is. Reade, meanwhile, has loved Gwen almost since the first day they met, but he never acted on his feelings. Now that Jesse’s gone, he wants to be there for her. However, the road to happily-ever-after is paved with speed bumps—because Jesse isn’t done ruining Gwen’s life just yet. September (From Florida With Love, 2018) delivers a charming tale of two old friends finally getting their chance at happiness. It’s not the usual setup for a friends-to-lovers story, but fans of this age-old trope will surely enjoy Reade and Gwen’s history and chemistry. The book is on the short side, coming in at fewer than 150 pages, but there’s enough here to interest and amuse those who usually prefer more fleshed-out narratives. A surprising twist at the end, and a bit of spicy political drama, will leave readers satisfied.
A short but sweet tale about taking a shot at true love.Pub Date: April 8, 2019
ISBN: 978-1-09-317613-1
Page Count: 142
Publisher: Self
Review Posted Online: Oct. 22, 2019
Kirkus Reviews Issue: Dec. 1, 2019
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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