Next book

THE HOUSE I LOVED

Replete with treats, particularly for Paris-lovers—indeed for anyone wedded to a special place.

Amid Baron Haussmann’s demolition of her quartier, a woman refuses to leave her home in de Rosnay’s latest (Sarah’s Key, 2008, etc.).

During the reign of Napoleon III, his prefect Baron Haussmann embarked on a mammoth undertaking to modernize Paris. In order to construct the branching boulevard system Paris is now renowned for, entire neighborhoods of twisting cobbled alleyways and lanes were razed. The residents of these now-forgotten neighborhoods were displaced. For the aging widow Rose Bazelet, who has lived for decades in her well-appointed home on rue Childebert near the Church of Saint-Germain-des-Prés, starting over somewhere else is out of the question. Rose’s house, in addition to being her refuge from her difficult childhood with an unloving mother, has been the repository of her great loves and most significant memories: Her beloved mother-in-law died there, her husband Armand grew senile and died there, her children (her own unloved daughter Violette and favored son Baptiste, claimed by cholera at age 10) were born there. When the citizens of rue Childebert are first notified of the impending “expropriation” of their street, they assume their proximity to the Church will save them, but it is not to be. The restaurateur, hotelier, chocolatier, bookshop owner and other local merchants, including the florist, Rose’s dearest friend Alexandrine, all vacate. Once peaceful, rue Childebert is now a wasteland of dust, falling rubble and clamorous demolition crews. Only Rose remains. Her belongings have been sent to Violette’s home in the country, but Rose has no intention of moving. Subsisting on the scavenged leavings brought to her by Gilbert, a clochard she once aided, she writes an extended letter to Armand, reflecting on her life, and attempting to parse her own motivations. All tends toward the revelation of a secret she has confessed to no one. De Rosnay’s delicacy and the flavor of her beloved Paris are everywhere in this brief but memorable book.

Replete with treats, particularly for Paris-lovers—indeed for anyone wedded to a special place.

Pub Date: Feb. 14, 2012

ISBN: 978-0-312-59330-8

Page Count: 288

Publisher: St. Martin's

Review Posted Online: Dec. 28, 2011

Kirkus Reviews Issue: Jan. 15, 2012

Categories:
Next book

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Awards & Accolades

Likes

  • Readers Vote
  • 26


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

Next book

THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

Awards & Accolades

Likes

  • Readers Vote
  • 26


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

Close Quickview