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THIS BOY WE MADE

A MEMOIR OF MOTHERHOOD, GENETICS, AND FACING THE UNKNOWN

A compelling, insightful memoir about parenting through the unknown.

A Black woman with an anxiety disorder chronicles the process of caring for her son, whose undiagnosed illness thrust the family into uncertainty.

Just before his second birthday, Harris’ youngest child, Tophs, woke up listless, silent, and thirsty. When Harris felt his racing heart, her gut told her that something was wrong—but she wasn’t sure if she could trust her gut. A lifetime of managing an anxiety disorder made her feel like she was constantly overreacting to something. Luckily, she overcame her doubts and took her son to the hospital, where the doctors found that his glucose was dangerously low and recommended the start of a process that eventually became years of shuttling her son among geneticists, endocrinologists, and neurologists. While waiting for a diagnosis that would never come, Harris and her husband battled reluctant school systems to get their son the special services he needed, a struggle complicated by their family’s Blackness. “The city needed fewer Black boys in special education, and my Black boy almost got caught up in the quota,” writes the author. “Maybe it wasn’t an intentional scheme, surely it wasn’t a written policy, but it could derail lives of the most vulnerable nonetheless.” Throughout, Harris describes struggling with anxiety, leaning on her Christian faith, and coping with the discovery that she carries a gene that put her at risk for cancer. She leaned on her family and faith to help her live with the reality that her high-needs child would probably never receive a diagnosis and that she would have to parent him without fully understanding his body or his brain. The author deploys humor and delight to infuse the narrative with nuance and hope, and her frank, vulnerable voice makes the book feel like a conversation with a close friend. At times, though, the prose is overwritten, and the flashback-laden timeline can be confusing.

A compelling, insightful memoir about parenting through the unknown.

Pub Date: Jan. 4, 2022

ISBN: 978-1-948226-84-4

Page Count: 272

Publisher: Catapult

Review Posted Online: Oct. 11, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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107 DAYS

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

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An insider’s chronicle of a pivotal presidential campaign.

Several months into the mounting political upheaval of Donald Trump’s second term and following a wave of bestselling political exposés, most notably Jake Tapper and Alex Thompson’s Original Sin on Joe Biden’s health and late decision to step down, former Vice President Harris offers her own account of the consequential months surrounding Biden’s withdrawal and her swift campaign for the presidency. Structured as brief chapters with countdown headers from 107 days to Election Day, the book recounts the campaign’s daily rigors: vetting a running mate, navigating back-to-back rallies, preparing for the convention and the debate with Trump, and deflecting obstacles in the form of both Trump’s camp and Biden’s faltering team. Harris aims to set the record straight on issues that have remained hotly debated. While acknowledging Biden’s advancing decline, she also highlights his foreign-policy steadiness: “His years of experience in foreign policy clearly showed….He was always focused, always commander in chief in that room.” More blame is placed on his inner circle, especially Jill Biden, whom Harris faults for pushing him beyond his limits—“the people who knew him best, should have realized that any campaign was a bridge too far.” Throughout, she highlights her own qualifications and dismisses suggestions that an open contest might have better served the party: “If they thought I was down with a mini primary or some other half-baked procedure, I was quick to disabuse them.” Facing Trump’s increasingly unhinged behavior, Harris never openly doubts her ability to confront him. Yet she doesn’t fully persuade the reader that she had the capacity to counter his dominance, suggesting instead that her defeat stemmed from a lack of time—a theme underscored by the urgency of the book’s title. If not entirely sanguine about the future, she maintains a clear-eyed view of the damage already done: “Perhaps so much damage that we will have to re-create our government…something leaner, swifter, and much more efficient.”

A determined if self-regarding portrait of a candidate striving to define herself and her campaign on her own terms.

Pub Date: Sept. 23, 2025

ISBN: 9781668211656

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: Sept. 23, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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