by T.C. Boyle ‧ RELEASE DATE: Sept. 18, 2012
What may seem to some like paradise offers no happy endings in this fine novel.
The prolific author’s latest is historical, not only in period and subject matter, but in tone and ponderous theme.
The 14th novel from Boyle returns to the Channel Islands off the coast of California, a setting which served him so well in his previous novel (When the Killing’s Done, 2011). Some of the conflicts are similar as well—man versus nature, government regulation versus private enterprise—but otherwise this reads more like a novel that is a century or more old, like a long lost work from the American naturalist school of Frank Norris and Theodore Dreiser, both of whom saw mankind caught in mechanistic forces and nature as something other than the Eden of innocence so often romanticized. The novel tenuously connects the stories of two families who move, 50 years apart, to the isolation of the title island, in order to tend to a sheep ranch. For Marantha Waters, the symbolically fraught pilgrimage with her husband and daughter in 1888—on “New Year’s Day, the first day of her new life, and she was on an adventure...bound for San Miguel Island and the virginal air Will insisted would make her well again”—is one of disillusionment and determination. Even the passage of time feels like a loss of innocence: “The days fell away like the skin of a rotten fruit”; “The next day sheared away like the face of a cliff crashing into the ocean and then there was another day and another.” The ravages of the natural world (and their own moral natures) take their toll on the family, who are belatedly succeeded in the 1930s by a similar one, as newlyweds anticipate their move west as “the real life they were going into, the natural life, the life of Thoreau and Daniel Boone, simple and vigorous and pure.” Reinforcing their delusions is national press attention, which made much of their “pioneering, that is, living like the first settlers in a way that must have seemed romantic to people inured to the grid of city streets and trapped in the cycle of getting and wanting and getting all over again.”
What may seem to some like paradise offers no happy endings in this fine novel.Pub Date: Sept. 18, 2012
ISBN: 978-0-670-02624-1
Page Count: 384
Publisher: Viking
Review Posted Online: July 28, 2012
Kirkus Reviews Issue: Aug. 15, 2012
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Heather Morris ‧ RELEASE DATE: Sept. 4, 2018
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
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An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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