An entertaining and emotional novel in which blood is thicker than salt water.
Zmak sets a vampire romance in the California beach community in this offbeat debut new-adult thriller.
When surfer Cody Hansen is killed in an apparent shark attack, it sends his best friend, Jake Ryder, spiraling. How could this have happened? Shark attacks are very uncommon, particularly on the California coast. As Jake seeks out another surfer—the last person to see Cody alive—to learn the truth about what happened, his quest leads him into dangerous waters. But it turns out that he’s not alone in his investigation. The story gives the reader a variety of perspectives on that tragic night in short, sharp, and occasionally brutal chapters. What’s more, the prose, while pithy, manages to give unique voices to characters with vastly different life experiences, providing the novel with a sense of depth. Among these characters is Lani Marley, a vacationing FBI agent looking into a rise in lethal, unpredictable shark attacks, which coincides with the movements of a surfer group called the Nomads. Both Jake and Lani find themselves drawn into the Nomads’ web; Jake, by the jealous, beautiful Skylar and Lani, by the Nomads’ darkly charismatic leader, Tristan. It turns out that the carefree night surfers are actually a cabal of shape-shifting vampires. As the romances between the Nomads and the outsiders intensify, all of their lives are threatened by the Nomads’ enemies and the cabal’s own bloody sense of justice. For the most part, the story flows quickly and smoothly. It sometimes takes abrupt turns, though, as in flashbacks to Tristan’s vampiric origins, his and Skylar’s first transformations, and the beginnings of the Nomads. At the same time, the story provides genuine depictions of the joy the characters take in surfing and the sea and the tribulations of love, guilt, and loyalty. It’s all passionate, fun, and delightfully new.
An entertaining and emotional novel in which blood is thicker than salt water.Pub Date: Aug. 23, 2014
ISBN: 978-0-692-25817-0
Page Count: 422
Publisher: Zmak Creative
Review Posted Online: April 17, 2019
Kirkus Reviews Issue: June 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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